Primal Scream at Glastonbury 2013 – review
Mark Beaumont: Bunged on before the Rollings Stones, Bobby Gillespie and the Primals give Mick and Keef a run for their money
The xx: Night + Day – review
This is the third mini-festival curated by the xx and the tone is set by the hosts: artfully moody electronica is in generous supply, says Paul Lester
µ-ziq: Chewed Corners – review
Electronic pioneer Mike Paradinas has ditched abstruse rhythms for voguish retro-futurism, writes Kitty Empire
Empire of the Sun: Ice on the Dune – review
The second album by this unlikeliest of dance-pop duos eclipses their superb 2008 debut, writes Phil Mongredien
When Saints Go Machine: Infinity Pool – review
Melancholy electro-pop meets ethereal drones and 90s hip-hop on this Danish band's impressive second album, writes Paul MacInnes
Austra: Olympia – review
Austra's second album of icy electro-pop improves as it approaches room temperature, writes Killian Fox
Holden: The Inheritors – review
James Holden's latest release combines analogue tinkering and pagan repetition to winning effect, writes Kitty Empire
Austra: Olympia – review
Austra's sad-face disco drags itself on to the dancefloor and sounds terrific, but there'll still be tears before dawn, writes Rebecca Nicholson
Rockness – review
The booking and scheduling may have felt patchy, but pinch-yourself beautiful views of Loch Ness, relentless beats and the heavy, heavy monster sound of Madness won over the crowds, writes Malcolm Jack
Boards of Canada: Tomorrow’s Harvest – review
With its elegant rhythms and crackly samples, the cult Scots' cryptic fourth album was worth the eight-year wait, writes Kitty Empire
These New Puritans: Field of Reeds – review
It's meticulous, abstract and alien, but These New Puritans' third album is also deeply, poignantly human, writes Maddy Costa
Gold Panda: Half of Where You Live – review
Parts of Gold Panda's second album pull its panglobal influences into something compelling; others just fail to engage, writes Paul MacInnes
Boards of Canada: Tomorrow’s Harvest – review
Boards of Canada gave Daft Punk a run for their money in the elaborate album campaign stakes, and there's lasting pleasure in its music too, writes Dorian Lynskey
Jon Hopkins: Immunity – review
Jon Hopkins's fourth solo album has the giddy feel of an epic night out, writes Killian Fox
Disclosure: Settle – review
Are Disclosure a 'true' deep house act? Does anyone honestly care? Either way, their album is a very good thing, says Alexis Petridis