Jack White; Santigold – review
Jack White's new six-piece backing band are a match for the White Stripes, while Santigold's poppier direction is still thrilling, writes Kitty Empire
Lazer Sword: Memory – review
Lazer Sword's sound is steeped in the past – specifically the spectral, spooky techno of Detroit – but it's a pleasure nonetheless, writes Paul Macinnes
Delilah – review
It's a long time indeed since anyone had their sound described as "trip-hop" – but it's fitting for this intriguing singer, writes Alexis Petridis
Battles: Dross Glop – review
It's a little disjointed as an album, but there are some fine moments among this collection of Battles remixes, writes Dave Simpson
Clock Opera: Ways to Forget – review
A surfeit of detail and a lack of ease make Guy Connelly's indie-electro debut album difficult to enjoy, writes Rebecca Nicholson
Orbital – review
Orbital's newer material sat alongside 20-year-old oak-aged techno, to the delight and delirium of the crowd, says Graeme Virtue
Orbital: Wonky – review
The titans of 90s electronica still sound fresh, thanks to vintage synths and a dose of dubstep, writes Kitty Empire
Ultra music festival – review
A guest appearance by Madonna demonstrated dance's return to the big time at an event with plenty of new faces, writes Luke Bainbridge
Rusko: Songs – review
Dubstep producer Rusko channels the sound of Jamaica on his second album, but the results are less than thrilling, writes Killian Fox
Breton: Other Peoples’ Problems – review
Breton aren't a band, they're a multimedia arts collective spawned by squat culture – and they certainly sound like it, writes Michael Hann
Kindness: World, You Need a Change of Mind – review
This hard-to-pin-down collision of chillwave, disco and AOR is almost too stylish, but has some lovely moments, writes Dave Simpson
Madonna: MDNA – review
Alexis Petridis: Neither triumph nor disaster, Madonna's new album is business as usual – but then this is no usual business
Nero – review
Nero's bombastic performance, as tightly choreographed as a boyband show, veers between the sublime and the rather ludicrous, writes Dave Simpson
Miike Snow: Happy to You
The Swedish-American producers behind Britney Spears' Toxic remain faceless on their own album, but deliver the electro-pop goods, writes Caroline Sullivan
VCMG: Ssss – review
Vince Clarke and Martin Gore reunite after 30 years for an album of techno that's pleasingly cohesive, writes Killian Fox