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Gaika: Drift review – the sonic shapeshifter goes analogue

The London MC disrupts expectations on his latest album, ranging from breakbeats and funk-soul to cinematic strings

Fred Again review – restless mood swings from rave ringmaster

An enthusiastic crowd laps up Fred Gibson’s collective-healing vibes, but the pacing is off and the emotional moments don’t always connect

Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

The Chemical Brothers: For That Beautiful Feeling review – pure techno pleasure

The dance duo’s 10th album – on which they, not the guest vocalists, are the stars – has moments to match their best work

Romy: Mid Air review – xx singer shines through dancefloor gems

Expertly produced with Jamie xx, Fred Again and Stuart Price, Romy Madley Croft’s debut solo album tops off vivid house and trance tunes with pop smarts and personal lyrics

Deena Abdelwahed: Jbal Rrsas review – addictive combination of darkness and danceability

Abdelwahed’s second album extends the DJ and producer’s compelling sound world, mixing traditional Arabic genres and instruments with foreboding dancefloor beats

Bambii: Infinity Club review – mischievous, flirty global electronica

The Toronto producer/DJ’s fleet-footed debut mini-album, featuring guest spots from the UK’s finest dancefloor talent, is an impressive calling card

Art School Girlfriend: Soft Landing review – lush, liminal electronica

Polly Mackey’s second album as ASG is at its best when her hazy sounds come nailed to dancefloor beats

Lance Gurisik: Cull Portal review – drones, drums and disruptive drama

Gurisik’s startling album – think Aphex Twin meets Keith Jarrett – combines jazz, electronica and contemporary orchestral music to compelling, coherent effect

Jessy Lanza: Love Hallucination review – a sensual producer’s pursuit of pleasure

The uniquely puckish Canadian electronic artist spans pop and beguiling abstraction on her fourth album, as she writes about boldly confronting her needs

Lindstrøm: Everyone Else Is a Stranger review – minor variations on sleek space disco pleasures

This Norwegian producer returns from his period forays into the leftfield for an album that is as fizzy and enticing as ever

Anohni and the Johnsons: My Back Was a Bridge for You to Cross review – piercing heartache

Recorded at speed, Anohni’s first album since 2016 adds a soulful swagger to poetic, cathartic rock

Japanese Breakfast review – a two-way high-wire act

Korean-American songwriter – and bestselling author – Michelle Zauner revels in an expansive set of dreampop and electronica laced with heartbreak and joy

Parklife festival review – northern rave culture clearly in rude health

The in-demand Fred Again eclipses Aitch’s confident homecoming headline set, while the Prodigy chime with Parklife’s rave ethos

Christine and the Queens: Paranoïa, Angels, True Love review – a grief-stricken masterpiece

A howl of despair sublimated into beautiful experimental pop, the artist’s fourth album is his best yet

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  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
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  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
  • 4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing
  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
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  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Women and the Piano album review – Tomes brings her poetic instincts to a rewarding compilation
  • Holding Lightning by Emily Lordi review – an intimate portrait of Whitney Houston
  • Olivia Dean review – a powerful, affirming night with a pop star at the height of her powers
  • Metallica review – metal titans on fine form in spectacular rarities-focused show

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