This week’s new singles
Redlight | Yasmin Feat Shy FX & Ms Dynamite | War Of Words | Florence + The Machine | Doctor P FEat Jenna G
Diagrams: Black Light – review
Former Tunng man Sam Genders has got a Hot Chip on his shoulder, and Caroline Sullivan thinks it suits him
Best albums of 2011, No 2: Katy B – On a Mission
Not only did Katy B showcase a new direction for dance music, she offered a fresh perspective on love, lust and London nightlife
Azealia Banks/Azari & III – review
Banks isn't overly concerned with cultivating any aloof mystique, arriving on stage close to midnight in a broad grin and a Santa hat and lobbing gifts into the crowd, writes Ian Gittins
Best albums of 2011, No 6: James Blake – James Blake
In a year in which we questioned our obsession with all things retro, James Blake pulled off the unthinkable, taking dubstep, soul and even barbershop to create a new musical language
Best albums of 2011, No 9: Rustie – Glass Swords
Dan Hancox: Rustie's debut album was a splash of Technicolor, escapist fun that drew on trance, rave and the Seinfield theme. Could it be this generation's Club Tropicana?
Panda Bear – review
It wasn't clear what in Panda Bear's subtle sonic maelstrom was accidental and what was deliberate, writes Maddy Costa
Goldfrapp – review
With a rare appearance from Will Gregory, this Goldfrapp church gig saw the duo forsake their usual sexed-up electro-pop for a chilled-out serenity, writes Ian Gittins
The Juan MacLean: Everybody Get Close – review
A collection of odds and sods from LCD Soundsystem-affiliated the Juan MacLean oozes quality, writes Kitty Empire
The Juan MacLean: Everybody Get Close – review
DFA's one-man dance party issues a collection of oldies and rarities. Dave Simpson listens in
Peaking Lights: 936 – review
Peaking Lights's debut fuses Alice Coltrane, the Slits, dub and ancient psychedelia, writes Kitty Empire
This week’s new singles
Wise Blood | The Black Dog | Los Campesinos! | Erasure | Miracle
Skrillex – review
There's one reason why dubstep's divisive newcomer is getting such attention, says Ian Gittins – volume
St Vincent – review
St Vincent's potent sound is stifled in the plush setting of a Southbank gig, writes Kitty Empire
Oneohtrix Point Never: Replica – review
Phil Mongredien applauds a hypnotic electronic song cycle that rewards repeated listening