Electronic review: Tiga, Ciao! Tiga Sontag has always nodded to the genre's 80s origins but keeps it fresh by drawing from rave past and present, writes Emma Warren
Electronic review: Kleerup, Kleerup His debut solo album is the antithesis of the fractured, crepuscular sound, writes Luke Bainbridge
The Juan Maclean: The Future Will Come From funk to Italo-disco and acid house, styles ebb and flow throughout, finds Hugh Montgomery
AGF/Delay: Symptoms Even though the pair exhibit a wilfully abstruse, clinical air, Symptoms is both hooky and tactile, says Alex Macpherson
Songs about booze and bonkers homages This week, Art Brut sing about hitting the sauce, Lady Sovereign murders a Cure classic and Metronomy salute the airwaves
Fever Ray: Fever Ray This doesn't resemble dance music so much as something from the weirder fringes of 80s pop, says Alexis Petridis
Electronic review: Dan Deacon, Bromst This exuberant toy-town techno is a shot of pure musical adrenalin, says Ben Thompson
Electronic review: The Juan Maclean, The Future Will Come Missing the arty disco of LCD Soundsystem? This will tide you over, suggests Gareth Grundy
Electronic review: Fever Ray, Fever Ray This solo album by one half of the Knife is endearingly bleak, reckons Graeme Thomson
Electronic review: La Roux, In For the Kill (Skream remix) A proper remix, the kind that nudges the original song into thrilling new territory, says Gareth Grundy
Omar-S: Fabric 45 This mix of pristine techno is a terrific introduction to a hitherto little-known artist, says Alex Macpherson
Loney Dear: Dear John Svanängen has scrubbed away its imperfections until it exhibits all the emotional warmth of a fitted kitchen says Ally Carnwath
Singles club: Songs about goals and gender roles Tim Jonze: This week's crop of tunes features potential football anthems fit for praising slide tackles or, in the case of Starsailor, own goals
Beyond the Wizard’s Sleeve: Re-Animations Vol 1 Though this collection of remixes kicks off at a smart pace it loses momentum during the mid-section, writes Ally Carnwath