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Irish National Opera: 20 Shots of Opera review – every one a discovery

Of the moment, full of character and rich in variety, these short filmed operas are exemplary lockdown music-making

Taylor Swift: The Long Pond Studio Sessions review – cosy campfire confessions

The pop star’s Disney+ movie about quarantine album Folklore reveals the potency of her songwriting, though it’s hazy on any ‘pandemic epiphanies’

Tamar-kali: Shirley Original Soundtrack review – fascinatingly eerie and claustrophobic

This incredibly effective score for a new psychodrama provides vocal dissonance and invention without sacrificing an air of terror

Billie Eilish: No Time to Die review – a Bond theme befitting the Craig era

The pop sensation sidelines her trademarks for a tasteful track that matches the haunted solitude of its leading man

Daniel Lopatin: Uncut Gems Original Soundtrack review – vital, nerve-jangling score is a jewel

Lopatin, AKA Oneohtrix Point Never, has created a soundtrack for the Safdie brothers’ latest that brings its whole roiling humanity brilliantly to life

Sturgill Simpson: Sound & Fury review – country’s outlaw catches fire

Another big shift in direction for Simpson, with anime visuals, glam rock, disco and grunge ornamenting never-more-country lyrics: it’s extraordinary

The Film Music of Nick Cave and Warren Ellis: princes of darkness offer light relief

Cave and Ellis provide fresh angle to scores for films including The Proposition and Hell or High Water

Lea Salonga review – musicals star evokes whole new world of stories

The voice of Miss Saigon and Princess Jasmine controls the audience as finely as the vibrato in her expressive vocals

Beyoncé: The Lion King: The Gift review – superstar shows impeccable taste

Her solo numbers are of varying quality, but Beyoncé gives a valuable platform to African artists in this collaborative Disney spinoff

Thom Yorke: Anima review – angst, anguish, paranoia and … jokes?

The Radiohead frontman gives a glimpse of his fun side on this intriguing, infuriating solo album. But you’ll have to listen closely

Ennio Morricone review – a rapturous farewell to the maestro

At 90, the film composer is finally retiring from live performance – but his capacity for evoking emotion with devastating simplicity endures

Armistice: Maudite soit la Guerre review – a cinematic anti-war requiem

Olga Neuwirth fuses music and film in a subtly evocative accompaniment to Alfred Machin’s prophetic 1914 silent classic

A Star Is Born soundtrack review – instant classics full of Gaga’s emotional might

Bradley Cooper shows he can sing as well as act and direct but it is Lady Gaga’s pop prowess that lifts each track, be it spectacular piano ballads or heart-rending duets

Home listening: Elgar, Delius and Vaughan Williams come to life

John Bridcut’s three composer portraits have been issued on DVD – and make riveting viewing

Bill Murray, Jan Vogler and friends review – a curious and uniquely pointless evening

An eccentric programme of readings and music was lapped up by an audience there to gawp at a Hollywood legend

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  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

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