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Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp

On their third release in 18 months, this exceptional musician draws from folk story, Breton influences and nature to explore the sublime potential of its title

Patrick Wolf review – a moon-lit marvel lights up the Minack theatre

Celebrating the 20th anniversary of his album Wind in the Wires in the Cornish landscape that inspired it, Wolf claims his status as a goth-folk pioneer

Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity

Classic melodies, spring water acoustics and pared-back poeticism about living in the moment fill Adrianne Lenker and co’s latest with life

End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital

Full of warmth despite the rain, highs include Mexico City experimentalists Titanic and Vermont songwriter Lily Seabird’s gorgeously open-hearted voice

Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage

Pekka Kuusisto and his world-class NCO brought a programme blending classical, folk and pop with Sámi vocalist Katarina Barruk, in this thoughtful Prom

Benedicte Maurseth: Mirra review – hardanger fiddle captures the fleeting magic of the fjordlands

Rhythmic repetitions and rustling textures evoke the traditional music and ecological harmony of Maurseth’s native Norway

Cass McCombs: Interior Live Oak review – double album doubles the pleasures of one of indie-rock’s finest

With existential lullabies and ritualistic stomps, tear-jerking odes and ballads worthy of Sinatra, US indie’s steadfast storyteller makes a wonderfully unhurried double album his best yet

The New Eves: The New Eve Is Rising review – imagine if the Velvet Underground scored Midsommar …

Velvets-style drone rock, trad folk, anarcho-punk and hippy whimsy are all discernible in the Brighton quartet’s debut album – all played with white-knuckle intensity

Poor Creature: All Smiles Tonight review – Lankum and Landless members steep tradition in lightness

Masters of atmosphere, Ruth Clinton, Cormac MacDiarmada and John Dermody contrast hauntological synths with robust noise on this playful debut

Duo Ruut: Ilmateade review – Estonian duo’s soulful look to the skies

The pair play with the traditions of Baltic Finnic runo song to explore the connections between the weather and emotion, giving ancient forms crossover potential

Jacob Alon: In Limerence review – dreamy story songs of myth and melancholy

The Scottish songwriter delivers a confident, well-expressed debut even if their songs sometimes stray into overfamiliar indie-folk territory

Quinie: Forefowk, Mind Me review – collecting songs on horseback, this Scottish musician is alive with ideas

With folk songs gathered from a gallop across Argyll, Josie Vallely’s album is a resonant tribute to her ancestral land

Zoé Basha: Gamble review – confident debut of a deft new voice in folk

The Dublin-based French-American singer and guitarist’s heart is in the Appalachian mountains – but her songs swim from country to blues and French chanson

Gigspanner Big Band: Turnstone review – an elegance unmatched in British folk

The multi-talented six-piece soar on their most accomplished album yet, led by the exceptional fiddle-playing of Peter Knight

Savina Yannatou, Primavera en Salonico and Lamia Bedioui: Watersong review – aquatic hymns

Considering water as balm and curse, life and storm: the fabulous Greek singer and collaborators transport us across centuries and countries

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  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show
  • Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

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