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Myrkur: Folkesange review – Danish black metaller makes dense, intense folk

Amalie Bruun goes back to her roots in these new versions of Scandinavian traditional songs, played on mandolas, lyres and a nyckelharpa

Seth Lakeman: A Pilgrim’s Tale review – all aboard the Mayflower

Following in the wake of the Pilgrim fathers, the English folk star sees things from both sides of the Atlantic

Lisa O’Neill review – indelible portraits from outstanding folk star

From unemployed dockers to swooning lovers, O’Neill has a way of getting the audience straight into her characters’ heads

Sam Lee: Old Wow review – a dazzling fusion of nature and song

Lee pursues his twin passions on this fine third album

Sam Lee: Old Wow review – Britain’s nature crisis in gnarly song

Lee’s twee-free third album, produced by Bernard Butler and featuring Liz Fraser, is a stark reminder of this country’s environmental concerns

Grit Orchestra/Celtic Connections review – filmic fusion from an 80-strong band

Greg Lawson’s boisterous ensemble celebrate freedom and the Declaration of Arbroath while US duo Béla Fleck and Abigail Washburn add festive moonshine

Citizen Bravo, Raymond MacDonald and Friends: Return to Y’Hup: The World of Ivor Cutler review – charming tribute to a national treasure

(Chemikal Underground)

Joan Shelley: Like the River Loves the Sea review – magnificent love-and-loss songs

Shelley’s fifth album was recorded in Iceland and her music seems more timeless, steely, sad and resolute than ever

Thirty Pounds of Bone & Philip Reeder: Still Every Year They Went review – come aboard

An evocative album of softly shined shanties and folk songs recorded on a working fishing boat, with added atmosphere supplied by the waves and gulls

Hiss Golden Messenger review – songwriter is an anchor in a rudderless world

Playing solo and acoustic, MC Taylor delves into his sizeable back catalogue to deliver redemptive ‘sad folk songs’

Rufus and Martha Wainwright review – quirky, magnificent festive blowout

Chrissie Hynde, Neil Tennant and Sophie Ellis-Bextor joyously topped up the Wainwright siblings’ big-hearted Christmas fundraiser, A Not So Silent Night

Jeremy Warmsley: A Year review – genre-hopping folk-pop for all seasons

The London singer-songwriter – and one half of Summer Camp – released a new song per month during 2019, tracing the ups and downs of a relationship

Stick in the Wheel: Against the Loathsome Beyond review – maximum innovation

(From Here)

Richard Dawson review – dispatches from the breadline

A tender but challenging tour of broken Britain

Bonnie ‘Prince’ Billy: I Made a Place review – older, wiser and happier

“Looking for a recommendation for an artist residency that takes small families with two working artist parents?” tweeted Will Oldham recently. The Americana outrider with the shining pate is now coupled up, with small fry on board. His newest album … Continue reading →

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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