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Bridget Hayden and the Apparitions: Cold Blows the Rain review – wild weather and maternal lullabies

Hayden’s traditional songs unfurl at a glacial pace, as heavy as the sodden moors at midnight

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Merope: Vėjula review – Lithuanian folk reborn in glittering new forms

The duo are joined by a stellar cast including Bill Frisell and Laraaji, bringing innovation and playfulness to their bright, elemental music

Distant Voices, New Worlds review – avant-garde vision of Albion by bright British composers

Inspired by the South Downs near Brighton, this selection box of new work from contemporary composers is English to its core – and yet defies tradition

Laura Marling review – a sumptuous performance, with strings attached

The singer-songwriter’s impressive showcase of her new album is bookended by solo guitar numbers that underline what a class act she is

Iron & Wine review – shadow puppets and folk-pop combine in singular gig

Emmy award-winning puppeteers Manual Cinema occasionally pull focus from Sam Beam’s rich songwriting, but mostly enhance it with eerie and intricate staging

Róis: Mo Léan review – ancient keening songs filled with startling new life

Singer Rose Connolly expands the pre-Christian Irish grieving tradition with synthesisers, distortion and drone in an arresting set

Leon Bridges: Leon review – deliciously soulful confection with added country

(Columbia)The musician’s emotional fourth album borrows liberally from the past but the themes are modern and the sound utterly timeless

Willie Watson: Willie Watson review – a former hell-raiser finds his voice

Known for his versions of old American folk, the singer finally puts his extraordinary voice at the service of his own material

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Rheingans Sisters: Start Close In review – a radical leap into darkness

With their golden voices, fertile soundworlds and evocative influences from across Europe, the Sheffield duo’s fifth album is admirably confrontational

Astrid Williamson: Shetland Suite review – a beautiful enchantment

The Scottish musician pays tribute to her homeland and her late mother with this powerfully moving set

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Nuala Kennedy and Eamon O’Leary: Hydra review – sumptuous folk songs

With guests including Will Oldham and Anaïs Mitchell, this record’s island setting seems to bring extra light and warmth to stories of the sea, love, work, war and migration

Maestros in Fusion review – virtuosic Indian ensemble knit two traditions together

Six supremely talented jazz and classical instrumentalists, whose humility belies their mastery, all show how malleable and moving their music can be

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  • Quinie: Forefowk, Mind Me review – collecting songs on horseback, this Scottish musician is alive with ideas
  • Skunk Anansie: The Painful Truth review – a raw triumph of reinvention and resilience
  • Leif Ove Andsnes and Bertrand Chamayou review – rewarding pairing brings intimacy and colour
  • Pierre Boulez: Éclat/Multiples album review – two of his most significant works are played with fabulous precision
  • Rachmaninov: Piano Concerto No 3 album review – hear the performance that made Yunchan Lim a star
  • Stereolab: Instant Holograms on Metal Film review – after 15 years, the retro-futurists make a radiant return
  • Tate McRae review – Britney-channelling, splits-deploying singer is impressively industrious
  • Daryl Hall review – despite strained vocals, this 80s pop legend isn’t totally out of touch
  • Scissor Sisters review – effervescent maximalism from 00s glam-pop freaksters
  • Parsifal review – reconciliation rather than redemption as Wagner staging focuses on family over faith
  • Tyler, the Creator review – a fiery performance from a giddy rap god
  • Kylie Minogue review – house, techno … doom metal? This is a thrilling reinvention of a pop deity
  • BBCNOW/Widmann review – explosive, inquisitive and exhilarating concerto is a family affair
  • Anna Lapwood review – charismatic organist has a packed Royal Albert Hall eating out of her hand
  • LSO/Dudamel/Rebeka review – relentless orchestral fireworks and bright moments
  • Kara-Lis Coverdale: From Where You Came review – quiet ecstasy from a composer without boundaries
  • The Callous Daoboys: I Don’t Want to See You in Heaven review – gonzo mathcore troupe grab on to pop hooks
  • For Dieter: Hommage à Dietrich Fischer-Dieskau album review – a heartfelt tribute to a lieder legend
  • Scriabin: Vers la Flamme album review – Sudbin masters and humanises fourth and 10th sonatas
  • Trial by Jury/A Matter of Misconduct! review – gags and Spads in Scottish Opera’s sparkling double bill
  • Shanti Celeste: Romance review – bright, beguiling tracks from a DJ who does what she wants
  • Bruce Springsteen review – a roaring, rousing ​s​how that imagines a better America
  • Giulio Cesare review – concert staging with plenty of sublime, and ridiculous, moments
  • Steven Wilson review – an interstellar sound voyage with Floydian grandeur
  • Grisey: Vortex Temporum album review – bold, assertive interpretation of a masterly score
  • Billy Woods: Golliwog review – one of the most engrossing, unnerving records you’ll hear this year
  • Lido Pimienta: La Belleza review – Gregorian chant meets dembow rhythm in a work of remarkable depth
  • Djo review – Joe Keery mixes genres in an endearing, if uneven, Brooklyn set
  • Brahms: Complete Symphonies album review – period-instrument plushness with modern-instrument refinement
  • PinkPantheress: Fancy That review – sharp-minded bops hop across pop’s past and present

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