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Duo Ruut: Ilmateade review – Estonian duo’s soulful look to the skies

The pair play with the traditions of Baltic Finnic runo song to explore the connections between the weather and emotion, giving ancient forms crossover potential

Jacob Alon: In Limerence review – dreamy story songs of myth and melancholy

The Scottish songwriter delivers a confident, well-expressed debut even if their songs sometimes stray into overfamiliar indie-folk territory

Quinie: Forefowk, Mind Me review – collecting songs on horseback, this Scottish musician is alive with ideas

With folk songs gathered from a gallop across Argyll, Josie Vallely’s album is a resonant tribute to her ancestral land

Zoé Basha: Gamble review – confident debut of a deft new voice in folk

The Dublin-based French-American singer and guitarist’s heart is in the Appalachian mountains – but her songs swim from country to blues and French chanson

Gigspanner Big Band: Turnstone review – an elegance unmatched in British folk

The multi-talented six-piece soar on their most accomplished album yet, led by the exceptional fiddle-playing of Peter Knight

Savina Yannatou, Primavera en Salonico and Lamia Bedioui: Watersong review – aquatic hymns

Considering water as balm and curse, life and storm: the fabulous Greek singer and collaborators transport us across centuries and countries

Liz Overs: Nightjar review – a shimmering debut rich in folklore

Albion’s mysteries breeze through the Sussex singer’s first album as she salutes the winter solstice with Neill MacColl and more

Derya Yıldırım & Grup Şimşek: Yarın Yoksa review – a feast of woozy Turkish psych

Fuzzy, hypnotic beats, soulful saz-funk and emotive balladry mark Yıldırım’s powerfully imaginative new music, produced by Leon Michels

Ichiko Aoba: Luminescent Creatures review – nurturing music for bleak times

The cult Japanese singer-songwriter’s new album, inspired by the Ryukyu islands, is like a powerfully soothing sound bath

Malmin: Med Åshild Vetrhus review – deliciously diabolical Norwegian folk spells

Anders Hana, Olva Christer Rossebø and Åshild Vetrhus take inspiration from Norway’s rugged Rogaland in these tracks sourced from early-to-mid 20th century recordings

Richard Dawson: End of the Middle review – a unique snapshot of ordinary British life

From allotment highs to Holly and Phil, the Newcastle singer-songwriter mines life’s daily stresses and joys as only he can

Bonnie ‘Prince’ Billy: The Purple Bird review – Will Oldham goes country, but darkly

Recorded in Nashville, the American outlier’s latest is concerned with the state of the nation and more, though there’s mischief in there too

Cynefin: Shimli review – this Welsh folk music is a quietly political antidote to the modern age

Singer Owen Shiers combines traditional ballads, musical settings of poems, and originals built on stories collected from rural west Walians, all sung in Welsh

Sam Amidon: Salt River review – an eclectic if erratic affair

The US musician leads an accomplished yet slightly bland living room session spanning traditional numbers and songs by Lou Reed, Yoko Ono and more

Wardruna: Birna review – numbing Norse nature-metal better suited to Netflix scores

Traditional instruments, drones and repetitive lyrics make for some epic listening, possibly more suitable for a medieval TV romp

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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