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Liz Overs: Nightjar review – a shimmering debut rich in folklore

Albion’s mysteries breeze through the Sussex singer’s first album as she salutes the winter solstice with Neill MacColl and more

Derya Yıldırım & Grup Şimşek: Yarın Yoksa review – a feast of woozy Turkish psych

Fuzzy, hypnotic beats, soulful saz-funk and emotive balladry mark Yıldırım’s powerfully imaginative new music, produced by Leon Michels

Ichiko Aoba: Luminescent Creatures review – nurturing music for bleak times

The cult Japanese singer-songwriter’s new album, inspired by the Ryukyu islands, is like a powerfully soothing sound bath

Malmin: Med Åshild Vetrhus review – deliciously diabolical Norwegian folk spells

Anders Hana, Olva Christer Rossebø and Åshild Vetrhus take inspiration from Norway’s rugged Rogaland in these tracks sourced from early-to-mid 20th century recordings

Richard Dawson: End of the Middle review – a unique snapshot of ordinary British life

From allotment highs to Holly and Phil, the Newcastle singer-songwriter mines life’s daily stresses and joys as only he can

Bonnie ‘Prince’ Billy: The Purple Bird review – Will Oldham goes country, but darkly

Recorded in Nashville, the American outlier’s latest is concerned with the state of the nation and more, though there’s mischief in there too

Cynefin: Shimli review – this Welsh folk music is a quietly political antidote to the modern age

Singer Owen Shiers combines traditional ballads, musical settings of poems, and originals built on stories collected from rural west Walians, all sung in Welsh

Sam Amidon: Salt River review – an eclectic if erratic affair

The US musician leads an accomplished yet slightly bland living room session spanning traditional numbers and songs by Lou Reed, Yoko Ono and more

Wardruna: Birna review – numbing Norse nature-metal better suited to Netflix scores

Traditional instruments, drones and repetitive lyrics make for some epic listening, possibly more suitable for a medieval TV romp

Madison Cunningham review – complex new tunes from a folk singer with a knack for a twist

The Los Angeles musician is developing a heavier, rockier sound than before, but her astonishing voice and intuitive melodies are as strong as ever

Tunng: Love You All Over review – a delightfully quirky return from the folktronica pioneers

The inventive English six-piece deliver another slice of whimsy, wit and gentle musical experimentation

Bridget Hayden and the Apparitions: Cold Blows the Rain review – wild weather and maternal lullabies

Hayden’s traditional songs unfurl at a glacial pace, as heavy as the sodden moors at midnight

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Merope: Vėjula review – Lithuanian folk reborn in glittering new forms

The duo are joined by a stellar cast including Bill Frisell and Laraaji, bringing innovation and playfulness to their bright, elemental music

Distant Voices, New Worlds review – avant-garde vision of Albion by bright British composers

Inspired by the South Downs near Brighton, this selection box of new work from contemporary composers is English to its core – and yet defies tradition

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  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show
  • Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

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