Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Bonnie ‘Prince’ Billy: The Purple Bird review – Will Oldham goes country, but darkly

Recorded in Nashville, the American outlier’s latest is concerned with the state of the nation and more, though there’s mischief in there too

Cynefin: Shimli review – this Welsh folk music is a quietly political antidote to the modern age

Singer Owen Shiers combines traditional ballads, musical settings of poems, and originals built on stories collected from rural west Walians, all sung in Welsh

Sam Amidon: Salt River review – an eclectic if erratic affair

The US musician leads an accomplished yet slightly bland living room session spanning traditional numbers and songs by Lou Reed, Yoko Ono and more

Wardruna: Birna review – numbing Norse nature-metal better suited to Netflix scores

Traditional instruments, drones and repetitive lyrics make for some epic listening, possibly more suitable for a medieval TV romp

Madison Cunningham review – complex new tunes from a folk singer with a knack for a twist

The Los Angeles musician is developing a heavier, rockier sound than before, but her astonishing voice and intuitive melodies are as strong as ever

Tunng: Love You All Over review – a delightfully quirky return from the folktronica pioneers

The inventive English six-piece deliver another slice of whimsy, wit and gentle musical experimentation

Bridget Hayden and the Apparitions: Cold Blows the Rain review – wild weather and maternal lullabies

Hayden’s traditional songs unfurl at a glacial pace, as heavy as the sodden moors at midnight

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Merope: Vėjula review – Lithuanian folk reborn in glittering new forms

The duo are joined by a stellar cast including Bill Frisell and Laraaji, bringing innovation and playfulness to their bright, elemental music

Distant Voices, New Worlds review – avant-garde vision of Albion by bright British composers

Inspired by the South Downs near Brighton, this selection box of new work from contemporary composers is English to its core – and yet defies tradition

Laura Marling review – a sumptuous performance, with strings attached

The singer-songwriter’s impressive showcase of her new album is bookended by solo guitar numbers that underline what a class act she is

Iron & Wine review – shadow puppets and folk-pop combine in singular gig

Emmy award-winning puppeteers Manual Cinema occasionally pull focus from Sam Beam’s rich songwriting, but mostly enhance it with eerie and intricate staging

Róis: Mo Léan review – ancient keening songs filled with startling new life

Singer Rose Connolly expands the pre-Christian Irish grieving tradition with synthesisers, distortion and drone in an arresting set

Leon Bridges: Leon review – deliciously soulful confection with added country

(Columbia)The musician’s emotional fourth album borrows liberally from the past but the themes are modern and the sound utterly timeless

Willie Watson: Willie Watson review – a former hell-raiser finds his voice

Known for his versions of old American folk, the singer finally puts his extraordinary voice at the service of his own material

Post navigation

← Older posts
Newer posts →
  • The Beach Boys: We Gotta Groove review – box set of lost 70s music has all of Brian Wilson’s turmoil and talent
  • J Cole: The Fall Off review – rap legend’s final album is a self-obsessed hip-hop history lesson
  • Florence + the Machine review – ​a thrilling shift in tone towards stark, sombre catharsis
  • The Testament of Ann Lee with Daniel Blumberg and Amanda Seyfried review – yelps, bells and bruised beauty
  • LSO / Chan / Stankiewicz review – Matthews’s oboe concerto is dense and dynamic
  • Bad Bunny’s Super Bowl half-time show review – a thrilling ode to Boricua joy
  • Così Fan Tutte review – witty circus staging has its tongue firmly in its cheek
  • Maxïmo Park review – Newcastle band play the hell out of their jaggy and angsty debut album
  • Winter Olympics 2026 opening ceremony review – disco-dancing opera masters upstage Mariah Carey
  • Classical Mixtape: A Live Takeover review – one queue after another mars orchestral jamboree
  • Rhiannon Giddens and Francesco Turrisi review – big, generous, provocative music-making on a small stage
  • Danny L Harle: Cerulean review – an earnest homage to early 00s bangers or a poor imitation?
  • Fabiano Do Nascimento & Vittor Santos Orquestra: Vila review – imaginative mood music from a virtuoso
  • Amidst the Shades album review – Ruby Hughes’ captivating Dowland tribute is steeped in delicious melancholy
  • The Goldberg Variations album review – Yunchan Lim untangles Bach’s complex web of threads
  • Mandy, Indiana: Urgh review – grimy, thrashing, purgative attack on injustice is the year’s first great album
  • Leonkoro Quartet review – vivid, intoxicating play from gleaming future stars
  • Sea Beneath the Skin/Song of the Earth review – sea, sand and ceremony as Mahler’s song cycle makes waves
  • Ed Sheeran review: pyrotechnics and technical hiccups in an ambitious, looping one-man show
  • Boris Godunov review – Bryn Terfel wild-eyed and barking in Mussorgsky’s relentless study of power
  • LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity
  • Julie Campiche: Unspoken review – a harpist’s tender, quietly radical hymn to women who endure
  • Leonkoro Quartet: Out of Vienna album review – a blazing exploration of Viennese modernism
  • Yumi Zouma: No Love Lost to Kindness review – New Zealand dream-poppers’ reinvention doesn’t go far enough
  • Strozzi: Virtuosissima Sirena album review – Laura Catrani enchants with music from a true Venetian revolutionary
  • Earth and Other Planets review – reimagined Holst with harmonica and a hoedown
  • Tyler Ballgame: For the First Time, Again review – cosplaying singer-songwriter courts comparisons to 1970s greats
  • Lucinda Williams review – Americana legend brilliantly rails against a world out of balance
  • Ben Goldscheider/ Richard Uttley review – a horn, a piano … and a braying donkey
  • LPO/Jurowski review – Mahler’s 10th is full of colour, and the composer’s pain, in Barshai’s completion

Contact www.freakyparty.net   Terms of Use