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Richard Thompson: Ship to Shore review – another collection of beautifully gruelling material

Life gives more grist to the mill of the veteran singer-songwriter, whose guitar playing remains as eloquent as ever

Landless: Lúireach review – fans of Celtic music should flock to this stunning sound

Four powerful voices weave tender yet disquieting harmonies on a second album that honours bold women

Richard Thompson review – a showcase for decades of exquisite craft

In a sublime concert full of banter, storytelling and guitar virtuosity, the 75-year-old surrenders himself completely to each moment

Kaia Kater: Strange Medicine review – Canadian banjo virtuoso packs a powerful punch

The Canadian-Grenadian singer-songwriter’s phenomenal playing underscores strongly personal and political themes on her superb fourth album

Sean Khan: Sean Khan Presents the Modern Jazz and Folk Ensemble review – classics reinvigorated

A collective of genre-straddling talents give new life to songs by Nick Drake, John Martyn and Sandy Denny

Goblin Band: Come Slack Your Horse! review – rowdy, flamboyant folk

Born out of a London musical instruments shop where members worked, the Paul McCartney-approved band’s first EP is eager and theatrical, sometimes to a fault

Jess Ribeiro: Summer of Love review – a balm for anxious times

With expansive, experimental instrumentation, the Melbourne musician’s fourth album records our contemporary chaos – and finds a glimmer of hope

Fran & Flora: Precious Collection review – strings, shimmer and siren song whip up a desirous mood

This spirited adventure in the avant garde is as experimental as it is accessible, delving into hot-blooded Sirba and Transylvanian epics

Julie Abbé: Out of the Ashes review – a beautiful expression of the grieving process

The UK-based French folk singer embellishes her trad leanings with sultry blues and upbeat swing on a poignant and poetic second album

Sam Lee: songdreaming review – a moving tribute to Albion’s troubled soul

Disquiet pervades the folk singer’s self-written fourth album, with romantic love and awe of nature holding out against ecological collapse

Kacey Musgraves: Deeper Well review – folk-pop that’s high on life and pure as mountain air

The crossover star’s sixth album opens with a spectacular one-two of the most beautiful songs you’ll hear all year – but the loved-up mood and back-to-nature wonder becomes twee

Various artists: Africatown, AL: Ancestor Sounds review – music that defies the darkest of pasts

From blues to industrial and rap, these extraordinary recordings showcase the community of descendants of the last slavers’ ship to the US

Hurray for the Riff Raff: The Past Is Still Alive review – a time-shifting personal journey

The US singer-songwriter reminisces about their runaway past and loved ones lost on their folk-inflected ninth album

Daymé Arocena: Alkemi review – propulsive Cuban folk-pop

The singer trades acoustic improvisation for intricate, infectious hooks, with flavours of bossa nova, neo-soul and doo-wop

Milkweed: Folklore 1979 review – tantalisingly strange folk vignettes

The duo’s third release clocks in at 10 minutes but packs in zithers, traditional pipes and a perennial feeling of dread

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  • Sinfonia of London – weapons-grade energy and contagious dynamism
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

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