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Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Rheingans Sisters: Start Close In review – a radical leap into darkness

With their golden voices, fertile soundworlds and evocative influences from across Europe, the Sheffield duo’s fifth album is admirably confrontational

Astrid Williamson: Shetland Suite review – a beautiful enchantment

The Scottish musician pays tribute to her homeland and her late mother with this powerfully moving set

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Nuala Kennedy and Eamon O’Leary: Hydra review – sumptuous folk songs

With guests including Will Oldham and Anaïs Mitchell, this record’s island setting seems to bring extra light and warmth to stories of the sea, love, work, war and migration

Maestros in Fusion review – virtuosic Indian ensemble knit two traditions together

Six supremely talented jazz and classical instrumentalists, whose humility belies their mastery, all show how malleable and moving their music can be

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Raphael Rogiński: Žaltys review – hypnotic eastern European folk

This searching, soulful release conjures up the spirit of summers spent by the lake and in the forest

Peiriant: Dychwelyd review – iridescent soundscapes summon spirit of the mountains

Violinist Rose Linn-Pearl and sound artist husband Dan weave their artistry into a vivid collection evoking the natural wonders of their Welsh home

The Zawose Queens: Maisha review – vocal power and family stories

Pendo and Leah, daughter and granddaughter of Tanzanian musician Hukwe Zawose, use mesmerising thumb piano and shifting polyphony to create stirring songs

Richard Thompson: Ship to Shore review – another collection of beautifully gruelling material

Life gives more grist to the mill of the veteran singer-songwriter, whose guitar playing remains as eloquent as ever

Landless: Lúireach review – fans of Celtic music should flock to this stunning sound

Four powerful voices weave tender yet disquieting harmonies on a second album that honours bold women

Richard Thompson review – a showcase for decades of exquisite craft

In a sublime concert full of banter, storytelling and guitar virtuosity, the 75-year-old surrenders himself completely to each moment

Kaia Kater: Strange Medicine review – Canadian banjo virtuoso packs a powerful punch

The Canadian-Grenadian singer-songwriter’s phenomenal playing underscores strongly personal and political themes on her superb fourth album

Sean Khan: Sean Khan Presents the Modern Jazz and Folk Ensemble review – classics reinvigorated

A collective of genre-straddling talents give new life to songs by Nick Drake, John Martyn and Sandy Denny

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  • The Beach Boys: We Gotta Groove review – box set of lost 70s music has all of Brian Wilson’s turmoil and talent
  • J Cole: The Fall Off review – rap legend’s final album is a self-obsessed hip-hop history lesson
  • Florence + the Machine review – ​a thrilling shift in tone towards stark, sombre catharsis
  • The Testament of Ann Lee with Daniel Blumberg and Amanda Seyfried review – yelps, bells and bruised beauty
  • LSO / Chan / Stankiewicz review – Matthews’s oboe concerto is dense and dynamic
  • Bad Bunny’s Super Bowl half-time show review – a thrilling ode to Boricua joy
  • Così Fan Tutte review – witty circus staging has its tongue firmly in its cheek
  • Maxïmo Park review – Newcastle band play the hell out of their jaggy and angsty debut album
  • Winter Olympics 2026 opening ceremony review – disco-dancing opera masters upstage Mariah Carey
  • Classical Mixtape: A Live Takeover review – one queue after another mars orchestral jamboree
  • Rhiannon Giddens and Francesco Turrisi review – big, generous, provocative music-making on a small stage
  • Danny L Harle: Cerulean review – an earnest homage to early 00s bangers or a poor imitation?
  • Fabiano Do Nascimento & Vittor Santos Orquestra: Vila review – imaginative mood music from a virtuoso
  • Amidst the Shades album review – Ruby Hughes’ captivating Dowland tribute is steeped in delicious melancholy
  • The Goldberg Variations album review – Yunchan Lim untangles Bach’s complex web of threads
  • Mandy, Indiana: Urgh review – grimy, thrashing, purgative attack on injustice is the year’s first great album
  • Leonkoro Quartet review – vivid, intoxicating play from gleaming future stars
  • Sea Beneath the Skin/Song of the Earth review – sea, sand and ceremony as Mahler’s song cycle makes waves
  • Ed Sheeran review: pyrotechnics and technical hiccups in an ambitious, looping one-man show
  • Boris Godunov review – Bryn Terfel wild-eyed and barking in Mussorgsky’s relentless study of power
  • LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity
  • Julie Campiche: Unspoken review – a harpist’s tender, quietly radical hymn to women who endure
  • Leonkoro Quartet: Out of Vienna album review – a blazing exploration of Viennese modernism
  • Yumi Zouma: No Love Lost to Kindness review – New Zealand dream-poppers’ reinvention doesn’t go far enough
  • Strozzi: Virtuosissima Sirena album review – Laura Catrani enchants with music from a true Venetian revolutionary
  • Earth and Other Planets review – reimagined Holst with harmonica and a hoedown
  • Tyler Ballgame: For the First Time, Again review – cosplaying singer-songwriter courts comparisons to 1970s greats
  • Lucinda Williams review – Americana legend brilliantly rails against a world out of balance
  • Ben Goldscheider/ Richard Uttley review – a horn, a piano … and a braying donkey
  • LPO/Jurowski review – Mahler’s 10th is full of colour, and the composer’s pain, in Barshai’s completion

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