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Richard Thompson review – a showcase for decades of exquisite craft

In a sublime concert full of banter, storytelling and guitar virtuosity, the 75-year-old surrenders himself completely to each moment

Kaia Kater: Strange Medicine review – Canadian banjo virtuoso packs a powerful punch

The Canadian-Grenadian singer-songwriter’s phenomenal playing underscores strongly personal and political themes on her superb fourth album

Sean Khan: Sean Khan Presents the Modern Jazz and Folk Ensemble review – classics reinvigorated

A collective of genre-straddling talents give new life to songs by Nick Drake, John Martyn and Sandy Denny

Goblin Band: Come Slack Your Horse! review – rowdy, flamboyant folk

Born out of a London musical instruments shop where members worked, the Paul McCartney-approved band’s first EP is eager and theatrical, sometimes to a fault

Jess Ribeiro: Summer of Love review – a balm for anxious times

With expansive, experimental instrumentation, the Melbourne musician’s fourth album records our contemporary chaos – and finds a glimmer of hope

Fran & Flora: Precious Collection review – strings, shimmer and siren song whip up a desirous mood

This spirited adventure in the avant garde is as experimental as it is accessible, delving into hot-blooded Sirba and Transylvanian epics

Julie Abbé: Out of the Ashes review – a beautiful expression of the grieving process

The UK-based French folk singer embellishes her trad leanings with sultry blues and upbeat swing on a poignant and poetic second album

Sam Lee: songdreaming review – a moving tribute to Albion’s troubled soul

Disquiet pervades the folk singer’s self-written fourth album, with romantic love and awe of nature holding out against ecological collapse

Kacey Musgraves: Deeper Well review – folk-pop that’s high on life and pure as mountain air

The crossover star’s sixth album opens with a spectacular one-two of the most beautiful songs you’ll hear all year – but the loved-up mood and back-to-nature wonder becomes twee

Various artists: Africatown, AL: Ancestor Sounds review – music that defies the darkest of pasts

From blues to industrial and rap, these extraordinary recordings showcase the community of descendants of the last slavers’ ship to the US

Hurray for the Riff Raff: The Past Is Still Alive review – a time-shifting personal journey

The US singer-songwriter reminisces about their runaway past and loved ones lost on their folk-inflected ninth album

Daymé Arocena: Alkemi review – propulsive Cuban folk-pop

The singer trades acoustic improvisation for intricate, infectious hooks, with flavours of bossa nova, neo-soul and doo-wop

Milkweed: Folklore 1979 review – tantalisingly strange folk vignettes

The duo’s third release clocks in at 10 minutes but packs in zithers, traditional pipes and a perennial feeling of dread

Katherine Priddy: The Pendulum Swing review – a rich, poised second album

The Birmingham folk artist’s exceptional voice shines through on a confident, expansive second album themed around the pull and push of home

Hirondelle: Hirondelle review – the Brothers Gillespie’s Franco-Scottish adventure

The Northumberland duo team up with Provençal trio Tant Que Li Siam and Trio Mythos for an elegant folk-classical journey

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  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings
  • Martha Argerich and Dong-Hyek Lim review – legendary pianist and mentee create musical magic
  • Sanaya Ardeshir: Hand of Thought review – poised piano minimalism with a quietly expansive reach
  • Earl Sweatshirt, Mike and Surf Gang: Pompeii // Utility review – rap radicals’ appealing study in contrasts
  • Sunn O))): Sunn O))) review – a seismic return to drone metal’s elemental core
  • Alim Beisembayev review – intimacy and conviction in programme of Romanticism
  • Royal Liverpool Philharmonic/ Candillari review – Simpson’s oratorio shrieks; Elgar and Sibelius stay polite
  • LPO/Tan Dun review – a full battery of drums, dramatic inhalations and hints of Mongolian throat singing
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey
  • Mendelssohn: Symphonies and Oratorios album review – Andris Nelsons’ prodigious talent on full display
  • Anne-Sophie Mutter: East Meets West album review – diverse, bold and brand new
  • Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be
  • Rigoletto review – strong revival of Mears’s violent take, with Elder revelatory in the pit
  • Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla
  • The Passion of Mary Magdalene review – Tansy Davies’s score is taut and intriguing
  • Imeneo review – Handel in mischievous mood handled with wit and care
  • Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy
  • Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression
  • FKA twigs review – an Olympian display of pop prowess
  • Pagliacci review – Leoncavallo’s grand guignol staged with insight and commitment
  • Geese review – all hail the new saviours of rock’n’roll
  • The Gondoliers review – brilliantly barbed Gilbert and Sullivan is a feast for the eyes and ears
  • BTS review – having lost none of their chemistry, this is a comeback of epic proportions
  • BTS: Arirang review – the world’s biggest pop band return with dumb fun and downright weirdness
  • Grace Ives: Girlfriend review – bedroom-pop auteur goes widescreen for a gorgeous sobriety epic
  • Huw Marc Bennett: Heol Las review – exhilarating Welsh folk injected with synths, sitars and surf rock

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