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Maple Glider: I Get Into Trouble review – delicate songs of rage and religious trauma

The Melbourne singer-songwriter’s second album catalogues the aftershocks of her Christian upbringing – and moments of joy in between

Sufjan Stevens: Javelin review – US indie folk hero hits every target

The singer-songwriter’s 10th album fuses his acoustic and electronic impulses to stunning effect

Ward Knútur Townes: Unanswered review – a captivating English-Canadian-Icelandic union

Born out of lockdown, the affinity between singer-songwriters Lucy Ward, Adyn Townes and Svavar Knútur bears fruit on an album of alluring melancholy

Sally Anne Morgan: Carrying review – resonant songs about nature and motherhood

The North Carolinian’s poetic lyrics, blissful vocals and thrumming banjo and fiddle combine on an album full of warmth and feeling

The Gentle Good: Galargan review – mesmerising Welsh folk songs for summer’s end

Gareth Bonello’s latest album sees him excavating his homeland’s folk classics, interpreting each with drowsy, melancholic voice, guitar, cello and piano

Boygenius review – Phoebe Bridgers, Julien Baker and Lucy Dacus meet hysteria with humour

The US supergroup have legions of fans swooning – literally – as they crown a summer of female cultural-dominance with an epic outdoor show

Lankum review – eerie, overwhelming radical Irish folk already feels centuries old

The Mercury-nominated four-piece play every song as if they’re fighting with it, gasping for air before verses

Playing for the Man at the Door review – vital snapshot of mid-century African American music

Subtitled Field Recordings from the Collection of Mack McCormick 1958-1971, this 66-song set is full of gripping storytelling and arresting instrumentals from the American south

Julie Byrne review – elegiac ache and nuanced feelings

Two years on from the death of her friend and musical collaborator Eric Littmann, Byrne tours the album they were working on together, in a performance of mesmerising beauty

Joni Mitchell: At Newport review – years melt away in surprise folk festival recording

Her poignant return to live performance in 2022 gets a full release, and it’s a hit-filled show displaying Mitchell’s enduring warmth and wisdom

Julie Byrne: The Greater Wings review – a stunning study of love and loss

Recorded both before and after the death of a friend and collaborator, the US singer-songwriter’s new album feels as though it sits outside time and space

Various artists: A Collection of Songs in the Traditional & Sean-Nós Style review – Gaelic sadness and longing

Recorded in pubs, kitchens and community halls, these old Irish songs are a thrilling reminder that the voice needs no technology to move us deeply

Joni Mitchell review – first headline show in two decades is three hours of total joy

Many thought she might never play live again after an aneurysm, but Mitchell is in lively, fun-filled form at this all-star return in rural Washington state

Damir Imamović: The World and All That It Holds review – lightning bolts of emotion

The Bosnian musician combines Slavic sevdah, Sephardic Jewish and original songs to tell the story of two soldiers who fall in love during the first world war

Rufus Wainwright: Folkocracy review – an illustrious feelgood duet party

The songwriting polymath (and some surprising guests) goes back to his roots on this mellifluous set of folk classics

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  • Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream
  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera

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