Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Lindsey Buckingham review – slick guitar work and strong singing from the Fleetwood Mac veteran

With seven albums’ worth of solo material to his name, Buckingham makes the fans wait for classic Rumours tracks – but eventually delivers in style

Jake Blount: The New Faith review – Afrofuturism for the apocalypse

Blount and co draw on spirituals on this strikingly minimalist album set in a future world devastated by climate change

Jon Collin: Bridge Variations review – Stockholm soundscapes with nyckelharpa

Tapes of busy roads and dripping water mingle with the sound of the traditional Swedish instrument in this experimental folk album

Green Man festival review – the absurd, the wonderful and the otherworldly

From the magisterial glam rock of Yves Tumor to the comedy surf-pop of Melin Melyn, Green Man froths with positivity and subversion

Cambridge Folk festival review – a safe but charming return

Crowd favourites Billy Bragg, Seasick Steve and Gipsy Kings share the bill with some daring international bookings for the festival’s contented return

Florist: Florist review – an ode to the power and comfort of friendship

Emily Sprague reunites with her bandmates for a new album that plays like a family portrait – and stakes out new ground

Laura Veirs: Found Light review – folk-rocker’s sexual reawakening

The Portland singer-songwriter’s first album written after splitting from her husband and longtime producer is a candid confessional filled with headily intimate images

Fern Maddie: Ghost Story review – an unnerving, arresting folk debut

Maddie’s young, welcoming voice belies a darkly evocative lyricism creating an album that is both unsettling and thrilling

Joan Shelley: The Spur review – timeless and vital Americana

Pretty but unsentimental reflections on putting down roots inform the singer-songwriter’s elegant seventh album

Jessie Buckley and Bernard Butler: For All Our Days that Tear the Heart review – a mesmerising debut

(EMI)The actor and the former Suede guitarist deliver a beautifully produced folk-inflected set that showcases Buckley’s magical voice

Alison Cotton: The Portrait You Painted of Me review – eerie, filmic incantations

Cotton’s album renders traditional music in uncanny colours with influences from her native north-east England

Mavis Staples & Levon Helm: Carry Me Home review – a final blaze of glory for the late Band musician

On poignant yet defiant recordings made in 2011 shortly before Helm’s death, Staples’ commanding vocals give enormous vibrancy to blues, folk and soul standards

Angeline Morrison: The Brown Girl and Other Folk Songs review – precision and poetry

A collection focused on the place of people of colour in British folklore is abundant with meaning and feeling

caroline review – a heady, up-close gig for our fractured times

The south London band’s mix of loud-quiet folk-rock and drone instrumentals is transformed live into a bewitching exercise in musical brinkmanship

Nick Hart: Nick Hart Sings Ten English Folk Songs review – stark and sweet

The East Anglian singer’s humanity and sly humour crackle through these simple, stripped-down traditional songs

Post navigation

← Older posts
Newer posts →
  • Karol G at Coachella review – electrifying set destined for festival’s hall of fame
  • Dido and Aeneas review – young Welsh talent shines bright in Purcell
  • Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set
  • National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity
  • Salome review – righteous fury and dynamic clarity give Regents Opera its head
  • The xx at Coachella review – indie trio reunites for spellbinding, rangy set
  • Sabrina Carpenter at Coachella review – madcap maximalism from pop savant
  • Tori Amos review – fans hang on every note of this dramatic deep dive into her back catalogue
  • Reckonwrong: How Long Has It Been? review – wonky delight with shades of Arthur Russell and Robert Wyatt
  • Holly Humberstone: Cruel World review – Taylor Swift fave trades gothic melancholy for pop glow-up
  • Reich: The Sextets album review – Colin Currie celebrates the minimalist master’s joy of six
  • Mahler Symphonies 1–9 album review – Bychkov’s set earns a place in a starry pantheon
  • My New Band Believe review – beautiful ideas burst from ex-Black Midi man’s lovable debut album
  • Belle and Sebastian review – joyful anniversary tour makes debut album brighter than ever
  • Suzi Quatro review – at 75, her signature scream is still thrilling
  • Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run
  • James review – special band still filling arenas with anthems of warmth and humanity
  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings
  • Martha Argerich and Dong-Hyek Lim review – legendary pianist and mentee create musical magic
  • Sanaya Ardeshir: Hand of Thought review – poised piano minimalism with a quietly expansive reach
  • Earl Sweatshirt, Mike and Surf Gang: Pompeii // Utility review – rap radicals’ appealing study in contrasts
  • Sunn O))): Sunn O))) review – a seismic return to drone metal’s elemental core
  • Alim Beisembayev review – intimacy and conviction in programme of Romanticism
  • Royal Liverpool Philharmonic/ Candillari review – Simpson’s oratorio shrieks; Elgar and Sibelius stay polite
  • LPO/Tan Dun review – a full battery of drums, dramatic inhalations and hints of Mongolian throat singing
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey

Contact www.freakyparty.net   Terms of Use