Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Paul Lewis review – Schubert begins with a stutter and ends with conviction

A rogue hearing aid forced a restart to the pianist’s survey of Schubert sonatas, but once things settled, Lewis confirmed what a superlative interpreter he is of these works

Barokksolistene review – group reinvent Schubert but are best in the tavern

Reworked as a music theatre piece with a puppet and guitars, Die Schöne Müllerin loses focus, but the second half’s terrific Alehouse Sessions make up for any doubts

Jeremy Denk and friends – an intimate performance that invited the audience in

A chamber music programme of Ives and Schubert saw Denk, the festival’s artist-in-residence, at his best

Vanitas: Lieder by Schubert, Beethoven and Rihm review – songs in the key of life

Nigl’s controlled, supple voice is aided by Pashchenko’s fierce accompaniment in a thoughtful selection

Solitude review – loneliness or reverie? Intense songs with lockdown resonance

Singer James Gilchrist and pianist Anna Tilbrook explore aspects of being alone with composers including Purcell and Schubert on a powerful, poised album

Ibragimova/Bezuidenhout review – music-making held in almost miraculous balance

Perfectly paired, violinist Alina Ibragimova and pianist Kristian Bezuidenhout’s recital was a masterclass in how familiar repertoire can be lifted from the page and fashioned anew

Schubert Symphony No 9 review – high-octane and purringly smooth

Conductor Maxim Emelyanychev inspires the SCO in Schubert’s massive work, with grandeur and great washes of feeling

Schubertiade festival review – Levit and Feng dazzle amid outstanding talent

The festival sticks closely to its relatively narrow musical margins, but with world-class musicians offering fresh insights into familiar works, there was plenty to intrigue and move audiences

Schubert: Sonatas & Impromptus review – Schiff’s 1820 piano brings fascinating insights

A 19th-century Viennese fortepiano shows off its special tonal qualities in this magnificent detailed and expressive double disc set

Schubert/Berio review – casting light on each other’s magic

Combining Schubert’s Ninth Symphony with Berio’s reinterpretation of his unfinished Tenth, this disc has style and spirit

Home listening: Llŷr Williams’s Beethoven at Wigmore Hall; Marc-André Hamelin does Schubert

The Welshman’s nine sonata concerts arrive on box set; as does Hamelin. Plus: Inside Music gets better and better

The Schubert Ensemble review – quintet bid farewell with gentle wit and Weir

With a programme of Schubert, Chausson and Weir, the chamber group stuck to the formula that has proved so successful for them

Artea Quartet: Schubert D887 CD review – a bold choice but too safe expressively

The Artea’s second disc for Champs Hill is devoted to one of the challenging works in the quartet repertory. Schubert’s vast G-major work ranks alongside Beethoven’s late quartets as one of the supreme achievements in the repertory, and it’s certainly … Continue reading →

Schubert and Szymanowski: Piano Sonatas CD review – Debargue proves he’s one to watch

Lucas Debargue (Sony Classical)

Schubert/Zimerman: Piano Sonatas D959 and D960 CD review – thoughtful and technically impeccable

Krystian Zimerman was 60 last December. As he reveals in an interview included with these performances, approaching that milestone convinced him it was time to “find the courage” to record the late sonatas by Schubert and Beethoven that he has … Continue reading →

Post navigation

← Older posts
Newer posts →
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

Contact www.freakyparty.net   Terms of Use