This is Cecilia Bartoli’s bad girl disc. It bears the title Opera Proibita, which means “forbidden opera” to you and me. The album cover, together with some photos in the accompanying material, shows Bartoli replicating Anita Ekberg’s famous frolic in … Continue reading →
These two recordings manage to encapsulate the phenomenon and the puzzle that is Renée Fleming. That the American diva has one of the most beautiful voices of our time is beyond dispute. As a result, she has become deservedly popular … Continue reading →
Renée Fleming has not been associated with this repertory, yet, as she explains in her notes: “Handel arias comprised the cornerstone of my undergraduate education.” Plainly, those early lessons were well learned, for her trills are flawlessly even, with other … Continue reading →