Don Giovanni – review
The vocally excellent cast provide secure and flamboyant accounts of every number and raise this revival above the original, says George Hall
Die Meistersinger von Nürnberg – review
David McVicar's production wears its politics lightly, writes Tim Ashley
Strauss: Der Rosenkavalier – review
Montserrat Caballé at the height of her powers is just one reason to go back to Glyndebourne in 1965, writes Fiona Maddocks
The Coronation of Poppea – review
Monteverdi left The Coronation of Poppea in short score, and Jonathan Cohen, in this autumn Glyndebourne tour, revels in the stripped-down orchestration with his 15-strong band, writes Martin Kettle
Don Giovanni – review
This Glyndebourne on Tour production of Don Giovanni could do with a bit more light, both emotionally and on stage. But it's strong stuff, finely delivered by an often first-rate cast, writes Tim Ashley
La Cenerentola
Glyndebourne, LewesThe evening's star turn, in Peter Hall's production of Rossini's version of the Cinderella story, is Jonathan Veira's brilliant Don Magnifico, writes George Hall
The Rake’s Progress; BBC Prom 35; Three Choirs festival
David Hockney's designs and a fine young cast make light work of The Rake's Progress, writes Fiona Maddocks
The Rake’s Progress
GlyndebourneThe brothel scene seems a bit tepid when compared with more recent stagings, but the performances are exceptionally strong, writes Tim Ashley
Hansel and Gretel
GlyndebourneLaurent Pelly's Brecht-tinged reworking of the fable stuck two fingers up at the affluent audience, says Tim Ashley
Don Giovanni
Glyndebourne Opera HouseA lack of dramatic spark turns this production of Don Giovanni into an evening of bland neutrality, writes Andrew Clements
Macbeth, The Love for Three Oranges, Armida, A Midsummer Night’s Dream
A brazen Macbeth, with a girl gang of witches, casts a powerful spell at Glyndebourne, writes Fiona Maddocks
Billy Budd and Mahler’s Symphony No 3
An electrifying, passionate interpretation of Billy Budd bodes well for the Glyndebourne year, says Fiona Madocks
Cosí Fan Tutte
Glyndebourne Sally Matthews's earnest Fiordiligi and Barbara Senator's happy-go-lucky Dorabella meet all vocal challenges head on, writes George Hall
Knight Crew
The latest offering from Glyndebourne's community opera programme, Knight Crew brings Arthurian legend to a contemporary canalside gangland, writes Guy Dammann
Tristan und Isolde
GlyndebourneAnja Kampe's luminous prescence just about carries the show in this uneven performance, writes Andrew Clements