The Turn of the Screw; BBC Proms 32, 35, 36 – review
Britten's The Turn of the Screw haunts Glyndebourne, while Steve Reich leads the applause at the Proms, writes Stephen Pritchard
Prom 14: Stuttgart Radio SO/Norrington – review
Never less than fascinating, one heard the symphony with new ears, writes Martin Kettle
Scottish Ensemble – review
The Scottish Ensemble's programme was all about homages and featured nimble, tightly sprung and sonorous playing, writes Andrew Clements
CBSO/Rattle – review
Jane Irwin relished the freedom that Rattle's expansive conducting allowed her in the closing Mahler cycle performance, writes Andrew Clements
LPO/Jurowski – review
The LPO offered a lifeline to concert-goers suffering Mahler fatigue by ending its uncommonly probing Mahler series with songs, writes Erica Jeal
Royal Liverpool Philharmonic/Petrenko – review
A dark, idiosyncratic, though utterly compelling interpretation of Mahler's Seventh, this ranks among the RLPO's finestachievements, writes Tim Ashley
Berlin Philharmonic: A Musical Journey in 3D – review
This 3D recording of Simon Rattle conducting in Mahler and Rachmaninov is dazzling, writes Guy Dammann
Philharmonia/Maazel – review
This concert was equally about Lorin Maazel – and it didn't do this part of the Philharmonia's Mahler cycle any favours, writes Rian Evans
LPO/Vladimir Jurowski – review
This intelligent and revealing contribution to the Mahler anniversary celebrations didn't contain a single note by Mahler, writes Andrew Clements
Philharmonia/Maazel – review
Lorin Maazel's approach to Mahler is quixotic – he describes the symphonies as "like spaceships, forever orbiting and sending out signals", which may sound spaced-out, but his Mahler is a cosmic experience, writes Alfred Hickling
Orchestra of the Accademia di Santa Cecilia/Antonio Pappano – review
As the opening appearance of their short British tour showed, the OASC has many of the elements of a fine band, writes Andrew Clements
RLPO/Petrenko – review
Vasily Petrenko's ranting, brutal interpretation of Mahler's Sixth was a high point of the Liverpool Philharmonic's anniversary cycle, writes Tim Ashley
Mahler: Symphony No 4, Rosemary Joshua (soprano), Orchestre des Champs-Elysées/Herreweghe – review
Nicholas Kenyon discovers some benefits of a period-instrument approach to Mahler
LSO/Gergiev – review
The LSO's principal conductor hit on an authentically Mahlerian paradox in his rendition of the Ninth, says Guy Dammann
CBSO/Sakari Oramo – review
In this performance of Mahler's unfinished 10th Symphony the CBSO played magnificently for their former chief, writes Andrew Clements