Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation

An all-star lineup of supporting turns – including, astonishingly, Lauryn Hill – show up to bolster the beleaguered megastar, but this is a very scrappy affair

Clipse: Let God Sort Em Out review – reunited rap greats deliver one of the albums of the year

Scathing disses, star guests, inspired Pharrell beats and great lines from chilling to laugh-out-loud: the duo’s first album since 2009 is so much more than the drama around it

Kendrick Lamar & SZA review – a pyrotechnic party of dark and light

He’s icy, she’s all sunshine – but the rapper and R&B star’s talents prove perfectly complementary in a historic two-hander

Little Simz & Chineke! Orchestra review – rap-classical crossover is spectacularly realised

Closing out a Simz-curated Meltdown festival, and with a host of star guests helping out, these songs gain extra nuance as orchestra and star meld perfectly together

Loyle Carner: Hopefully! review – rap sweetheart faces family, fear and the feels

The Londoner’s trademark sentimental sweetness is balanced by a new unaffected singing style – his fourth album is his most impressive work yet

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

Lil Wayne review – chaotic but charismatic race through greatest hits

The hitmaker’s latest album might receive a pass from most but his eclectic tour opener proves why he’s still standing

Tyler, the Creator review – a fiery performance from a giddy rap god

Performing solo to a backing track, the rapper nevertheless generates extraordinary heat with his fluid and furious flow atop foundation-rumbling bass

Billy Woods: Golliwog review – one of the most engrossing, unnerving records you’ll hear this year

The New York rapper confronts trauma and state-sanctioned terror with his latest release, pulling out innumerable images of inhumanity

Kendrick Lamar and SZA review – powerhouse duo make their mark in Atlanta

The record-breaking Grand National tour brings together two stylistically opposed stars and continues an internet-breaking feud

Central Cee review – UK rap superstar tentatively enjoys stadium success

Cycling through a set of stiff hand gestures, the rapper sometimes seems unsure what to do on stage. But when mediated through screens, his connection to his fans is palpable

Negros Tou Moria: Mavri Ellada review – a rebetiko rap riposte to Greek social division

This pioneer of ‘trabetiko’ mixes working-class folk music with trap on tracks about being a second-generation Greek born to Ghanaian parents

Greentea Peng: Tell Dem It’s Sunny review – a musical rebirth with swagger

The south-east Londoner’s second album pairs a refreshed musical palette with streamlined, introspective lyrics

Tokimonsta: Eternal Reverie review – a life-affirming journey through dance music

On her seventh album, delayed by personal tragedy, the US producer calls in collaborators aplenty on a high-energy set interspersed with tender moments

Kendrick Lamar’s Super Bowl half-time show review – game over for Drake

The Pulitzer prize-winning rapper chose artistry over more obvious showmanship in an unusual set yet still delivered the final blow to his diss track nemesis

Post navigation

← Older posts
Newer posts →
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

Contact www.freakyparty.net   Terms of Use