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Mitski: Nothing’s About to Happen to Me review – mordant, melodic melancholy from the best songwriter of her generation

The US singer-songwriter’s latest album flits deftly from horror to humour, with threads of melancholy and desperate unhappiness binding the tracks

Mandy, Indiana: Urgh review – grimy, thrashing, purgative attack on injustice is the year’s first great album

The Manchester/Berlin band’s second album refines their industrial-club sound, as physical and hyper-detailed as being dragged under by a wave and admiring the flotsam

Yumi Zouma: No Love Lost to Kindness review – New Zealand dream-poppers’ reinvention doesn’t go far enough

The quartet edge away from their trademark sound with louder guitars and bolder intentions – but their reinvention is more gradual than radical

Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal

The duo’s 13th album finds Jason Williamson as baffled and infuriated as ever at the state of the world, with help from some unexpected collaborators

The Cribs: Selling a Vibe review – songs of lost innocence and bitter experience strike a perfect, punchy balance

The Jarman brothers’ ninth album adds a little 80s pop sheen to their distorted guitars and confident songwriting, while always sounding exactly like the indie stalwarts

Dry Cleaning: Secret Love review – the south London band double down on their haunting, peculiar brilliance

The standout act in the sprechgesang wave, the four-piece’s newly expansive sound carries singer Florence Shaw’s distinctive tales of mundane lives spiralling out of control

This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene

One half of Water From Your Eyes re-records songs from the back catalogue of his other band, resulting in acoustic fare touched with regret and darkness

Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz

With shades of Jeff and Tim Buckley, the Galway-born artist writes tunes so strong they seem as familiar as old friends

Life in One Chord review – the Dunedin sound through the eyes of a music maverick

Based on a memoir by Straitjacket Fits frontman Shayne Carter, this documentary maps out the New Zealand town that birthed an indie movement

Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show

With two of the most-feted albums of the past 12 months under his belt, the New York singer-songwriter puts fresh spins on songs from his solo debut

Wolf Alice review – indie chameleons sparkle on a glam-rock bender

With 70s rock references, tinselly backdrop and some full-on cabaret-theatre vibes, the four-piece have undergone their most fun and complete reinvention yet

The Durutti Column: The Return of the Durutti Column review – fragile classic that echoes far beyond its time

The delicate experimentation of the band’s debut may not have chimed with the post-punk 1980s, but its durability makes this deluxe reissue thoroughly deserved

The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

The latest themed album from John Darnielle’s band – with some help from Lin-Manuel Miranda – takes them on a sumptuously crafted and surprisingly upbeat voyage to a desert island

Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman

Waxahatchee and her twin sister are joined by Lenderman and Brad Cook for an album of headstrong, tender Americana about chasing integrity and conviction

The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated

The London five-piece throw the kitchen sink at these dizzyingly dense songs, often crushing their melodic pleasures in the process

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  • Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover
  • Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor
  • Downtown Boys: Public Luxury review – a joyful blast of bilingual political punk
  • Jonathan Kuo: Java Dreams album review – young pianist brings unflashy exuberance to complex works
  • Phoebe Bridgers: Lost Boys review – ghosts, guns and guileless youth on generational songwriter’s return
  • Brahms’ Last Concert review – OAE and Emelyanychev take audience back to 1897
  • Anna Netrebko review – high camp and bel canto brilliance as star soprano shows she’s still the real deal
  • Orchestral Works of Mel Bonis album review – full justice is done to her finely crafted and sensuous music
  • Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?
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  • Hayley Williams review – punk and R&B expertly intertwine on first solo tour for Paramore star
  • Aldeburgh festival roundup – Tansy Davies and Freya Waley-Cohen premieres, plus blistering Shostakovich
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  • Das Rheingold review – a sure-footed feast as Alberich descends into madness
  • Gorillaz review – a staggering hi-tech mini-festival from the magpie mind of Damon Albarn
  • Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury
  • Ibeyi: Offering review – French twin sisters master the balance between mysticism and edge
  • Joe Lovano: Paramount Quartet review – inspired sax maestro bounces from bebop to fertile improv
  • Elgar and Dvořák: Cello Concertos album review – Gerhardt’s readings are forthright, refreshing and thoughtful
  • Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness
  • Myles Smith: My Mess, My Heart, My Life review – faceless, formulaic mush of Mumfords, Sheeran and Coldplay
  • Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale
  • L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi
  • BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance
  • Zach Bryan review – colossal US country star converts the UK to his inclusive take on the rodeo
  • Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

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