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Virginia Wing: Ecstatic Arrow review – rhythmic dream pop with a bite

Alice Merida Richards and Samuel Pillay mix serious pop smarts with jazz, part-naive vocals and a jaded aesthetic: it’s unique

The The review – long-awaited return reopens brilliant teenage diaries

Performing for the first time in 16 years only days after his father’s death, 1980s indie hero Matt Johnson retains a gravel-voiced gravitas

The Great Escape review – raunchy rap, cracking synthpop and rock’n’roll fireworks

A handful of standout acts were exhilarating but this celebration of new music highlighted a drift towards sameness and whimsy

Parquet Courts: Wide Awake review – indie heroes bring in Danger Mouse

(Rough Trade)

Stephen Malkmus and the Jicks: Sparkle Hard review – a reanimated rock eccentric

For a man who recently declared “I’m basically over”, Stephen Malkmus sounds surprisingly animated on his seventh album with the Jicks. Now 51, the former Pavement frontman still possesses the qualities that distinguished his years with the 90s band – … Continue reading →

Stephen Malkmus and the Jicks: Sparkle Hard review – fuzzy logic and killer tunes

On their seventh album, the off-kilter ideas coalesce into big melodies and a more political stance

Courtney Barnett: Tell Me How You Really Feel review – sharp barbs and no holds barred

Barnett’s second album is angrier, gathering her arrows to skewer the world’s problems like a loud battle cry

Johnny Marr review – Manchester rock royalty wrests legacy back from Morrissey

Marr plays Smiths showstoppers, spliced with songs from new album Call the Comet, and is unafraid to tackle Morrissey’s vocal pirouettes

The Charlatans review – north country boys make euphoric homecoming

One of the UK’s most enduring bands have weathered death, imprisonment and a nervous breakdown to bring their wildly varied music back to their spiritual home in Cheshire

Frank Turner review – big-hearted anthems and love songs to America

The provocative singer-songwriter balances the profane and the polite with a set that triggers a joyous mass sing-along

Beach House: 7 review – dream-pop duo find greater depth

(Bella Union)

The Sea and Cake: Any Day review – elegantly disheveled, melodic jazz rock

Their 11th album hones – and slightly overpolishes – their jazz breakbeats and rock chug

Beach House: 7 review – dream-poppers follow their glorious rulebook

It may have the same ingredients – bassy synths, elements of shoegaze, Victoria Legrand’s blank voice – but this is still mighty tasty

Arctic Monkeys: Tranquility Base Hotel & Casino review – funny, fresh and a little smug

Channelling Serge Gainsbourg and the Beach Boys, the Arctic Monkeys move on from stadium indie in a smart album that sees Alex Turner wearing a constant smirk

Yellow Days review – emotional blood-letting from an artist to watch

George van den Broek rasps, writhes and sweats as he delivers songs of harrowing romance and anxiety to a full house

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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