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Jeff Tweedy review – fistfights and fan favourites lead romp through 30-year career

The Wilco and Uncle Tupelo frontman creates fascinating juxtapositions as he hops around his back catalogue like a magpie

Hookworms: Microshift review – vast leap forward into a psychedelic future

On their third album, the Leeds band shed some distortion to reveal powerful vocals and tough pop melodies – without sacrificing any intensity

Django Django: Marble Skies review – prog-indie alchemists splice Bo Diddley with dancehall

From krautrock and prog-pop to Appalachian square dance, the oddball rockers are never short on – frequently lovely – ideas on their third album

Paramore review – slick stadium pop act just as earnest as when they were emo

Hayley Williams claims to have done a lot of growing up since her band’s angsty days, but has lost none of her magnetic intensity during their reinvention

The Go! Team: Semicircle review – a psychedelic tonic

(Memphis Industries)

Winter Sprinter 2018 review – a place where wry, literate indie can feel at home

The Surfing Magazines, Jessica’s Brother and former Weather Prophet Pete Astor got Fika Recordings’ four-day residency off to a shambolic but intriguing start

Hüsker Dü: Savage Young Dü review – edge-of-hysteria punk with psychedelic yearnings

More than any other band that emerged out of the US hardcore punk scene, Minneapolis’s Hüsker Dü paved the way for what would happen next. This beautifully curated set covering their earliest years reveals a band already sporting an advanced … Continue reading →

Maryam Saleh, Maurice Louca, Tamer Abu Ghazaleh: Lekhfa review – remarkable Egyptian indie collaboration is a triumph

It’s not easy being an experimental indie musician in Egypt. There are very few venues, no state funding, and censors to worry about. All of which makes this compelling, brooding collaboration so remarkable. Each of these three musicians has an … Continue reading →

Charles Hayward and Thurston Moore: Improvisations review – strong noise grooves

Since he and Kim Gordon split, effectively bringing Sonic Youth to an end, Thurston Moore has been living in north London, where he’s been a regular fixture in the city’s improv scene, popping up alongside the likes of Steve Noble, … Continue reading →

LP review – pop-rock alley cat stalks the stage with dramatic intent

Kentish Town Forum, London Laura Pergolizzi’s delivers her bruising, Britney-referencing breakup songs with haunting vocals, Cyndi Lauper-ish whoops and champion whistling

Xenoula: Xenoula review – an intricate, experimental debut

(Weird World)

Sufjan Stevens: The Greatest Gift review – unreleased Carrie and Lowell gems

(Asthmatic Kitty)

Noel Gallagher’s High Flying Birds: Who Built the Moon? review – like Oasis on a sun lounger

The third record from Noel Gallagher’s solo outfit is, according to the ex-Oasis man, merely him in “more colourful clothes”. Brightness is certainly the first thing that strikes you about Who Built the Moon, an album that cloaks Gallagher’s hardy … Continue reading →

Algiers review – anti-fascist fury locked into a dystopian groove

The rising Atlantan band blend harsh electronics with gospel vocals to create rousing hymns for society’s underdogs

Björk: Utopia review – romance, angst and troublingly thin tunes

The musician’s self-professed ‘Tinder album’ spins from ecstasy to frustration by focusing more on soundscapes than melody

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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