Rooney: Washed Away review – sunny, sea-soaked powerpop

Not to be confused with Paul Rooney’s 90s UK indie band, this Californian Rooney have toured with Weezer and the Strokes. The band is now down to a solitary member, Robert Schwartzman, who writes, produces and performs almost all the … Continue reading →

DM Stith: Pigeonheart review – outsider Americana meets electronic noise

It’s no surprise that DM Stith’s career has been encouraged and endorsed by Sufjan Stevens; the Indiana artist’s strand of outsider Americana takes on the left-leaning mid-00s indie scene and detonates its plaintiveness with industrial electronics. The followup to Heavy … Continue reading →

Lou Rhodes: Theyesanseye review – atmospheric, gently pastoral folk

Best known as half of Manchester electronica duo Lamb, Lou Rhodes has been quietly fashioning a concurrent solo career in atmospheric, gently pastoral folk for some years. Her fourth album sees love balladry and witchy woodland acoustica collide. Cellos, plucked … Continue reading →

Throws: Throws review – from beaty pop to Celtic-tinged narratives

Throws are Tunng cofounders Mike Lindsay and Sam Genders, who last worked together almost a decade ago, but have hooked up again in Reykjavik, where Lindsay has been living. The combination of rekindled friendship and enchanting location seems to have … Continue reading →

M Craft: Blood Moon review – melodic night-sky prettiness

What is it about log cabins and pop? Ever since Bon Iver came along in 2007 with For Emma, Forever Ago, hordes of musicians have retreated to wood-based solitary confinement in the hope of similar inspiration. Martin Craft’s third album … Continue reading →