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Jeffrey Lewis & Los Bolts: Manhattan review – anti-folk star still capable of surprises

Fans will know broadly what to expect from lo-fi star Jeffrey Lewis’s latest, but as ever there are some surprises, too

Cass McCombs: A Folk Set Apart review – goodie bag of B-sides and rarities

The veteran’s collection of offcuts and collaborations contains gems spanning the genres

Jaala: Hard Hold review – proggy punk-rock experiments yield mixed results

The Melbourne four-piece, led by Queensland exile Cosima Jaala, occasionally make sense but are too certain of their own brilliance to connect every time

Lloyd Cole and the Commotions: Collected Recordings 1983-1989 box set review – dizzying, jangling pop journey

This Commotions set takes in everything from their early incarnation as a white funk band to their mainstream hitmaking days

Lush: Chorus box set review – shoegaze with proper attitude

Wicked hair and songs about rubbish boys serve as a reminder that the band deserve a place at the head of the 90s indie table

Father John Misty review – droll set falls flat in concert hall confines

Josh Tillman attempts to eke energy out of the seated crowd by filling the space with angelic vocals, suit-degrading stage antics and rakish limb thrusting

Coldplay: A Head Full of Dreams review – a failure to commit to pop

Despite roping in the production team behind hits by Rihanna and Katy Perry, Chris Martin and co can’t seem to help lapsing into the same old windy cliches and nondescript balladry

Kurt Vile and Steve Gunn: Parallelogram review – heady guitar trips from split-LP series

Steve Gunn and Kurt Vile team up for a split LP that forms part of a series celebrating 15 years of US label Three Lobed

Jennylee: Right On! review – Warpaint bassist’s vague, hazy solo debut

Dismantled blues and subtle dissonance characterise Jenny Lee Lindberg’s indistinct solo debut

Mashrou’ Leila review – sequins, sensuality and a dazzling aura of resistance

A flamboyant violinist and magnetic vocalist could help take this impressive Beirut quintet from concert halls to stadiums

Bill Wells and Friends: Nursery Rhymes review – a guest-packed project that’s not for kids

Bill Wells and friends find the dark heart of many familiar nursery rhymes on this hit-and-miss set

The Maccabees review – three-guitar rush with an apres-midnight melancholy

The London band deliver a winning indie intensity, with a welcome Macc’n’cheese moment

Mercury Rev review – a mesmeric, majestic rock return

Magically pretty songs played pulverisingly loud testify to the transition of a 90s rock band who retain their childlike glee

King Gizzard and the Lizard Wizard: Paper Mâché Dream Balloon review – mellow, defuzzed psychedelia

King Gizzard abandon warp-speed fuzz-rock in favour of pastoral-psych pastiche on their latest album

Smoke Fairies: Wild Winter review – sprawling desert-rock soundscapes

There’s sweetness, strangeness and even hints of Wham! in these unorthodox festive songs

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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