Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Alex G: Beach Music review – lo-fi bedroom pop with lots of charm

Amid a glut of revivalist alt-rock and lo-fi indie, Alex G’s lush new album really stands out

The Lemonheads review – Dando junks old habits in glittering homage to back catalogue

Without the drugs, and supported by the youthful enthusiasm of bassist Jen Turner, Evan Dando gives his hit parade the care it deserves – and brings lumps to throats

Girl Band review – the last rave before the apocalypse

The Irish avant-rock act make a visceral, wall-shaking, ear-flattening noise – and they make it fun

Sleaford Mods review – the most compelling live act in music right now

Despite the minimal stagecraft, Jason Williamson’s charisma and intensity make all other frontmen look like posers

Mercury Rev: The Light in You review – life in the old dogs yet

Jonathan Donahue and co’s first album in seven years starts off in familiar territory but saves the best until last

Ought: Sun Coming Down review – intense, engrossing alt-rock

While their influences can be heard clearly, there’s something about Ought’s alt-rock sound that makes them deeply compelling

Protomartyr: The Agent Intellect review – epic, dirgy portrait of gravelly malaise

The band’s third album explores darker, more personal material than ever before – to truly affecting effect.

Swim Deep: Mothers review – baggy indie kids embrace psych-pop

Birmingham’s baggydelic Swim Deep get a bit weirder – and more interesting – on their playful second album

Kurt Vile: b’lieve i’m goin down review – terrific slow-burner from US charmer

Kurt Vile’s sixth album kicks off with one of his best songs yet, and contains plenty of pleasures that really cut deep

Pinkshinyultrablast review – thunderous dynamism from Russian shoegazers

Frontwoman Lyubov Soloveva’s chiffony, choirgirl voice whisks you out of your surroundings and plonks you down on a passing nebula

Beirut review – back to brass to tingle spines

Balkan mariachi days behind him, musical nomad Zach Condon brings horns and happiness to his band’s new pop direction

Ainslie Wills: Oh The Gold review – intricate and strikingly technical pop

The Melbourne singer-songwriter returns with a collection of pop songs that is understated, unconventional and highly evocative

New Order: Music Complete review – fresh, danceable album with intriguing diversions

New Order’s first proper album in a decade finds them sounding fresher than they have in a long time

Torres review – the friendly buzz of catharsis

Mackenzie Scott, AKA Torres, delivers indignant songs observed from life with a raw and forceful energy on stage – plus a winning personality

Wolf Alice review – retro indie kids refuse to be pigeonholed

From sultry shoegaze to ethereal English folk, via grunge and krautrock grooves, the enigmatic foursome bring floor-filling thrills to a whole new generation

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use