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Owl City: Mobile Orchestra review – bland, twee and bound to be huge

Adam Young’s electropop/county/soft-rock genre pileup is so poorly executed as to be almost insulting

Björk review – singer shines in achingly personal, stripped down performance

Icelandic superstar, sporting a DayGlo butterfly outfit, performs the intense Vulnicura, chronicling her break up with artist Matthew Barney

Ezra Furman: Perpetual Motion People review – an outsider who’s not just lovable but hummable

The cross-dressing misfit proves easy on the ear with this scattershot third album full of great hooks and choruses

Lucy Rose: Work It Out review – indie hooks fail to take hold

Lucy Rose struggles to make an impact with a poppier sound

Veruca Salt: Ghost Notes review – dreary alt-rock by numbers

The reformed female-fronted alt-rock combo’s comeback LP ticks the right boxes but is ultimately just plain dull

Black Grape review – the great lost band of the 90s

Sounding as genre-meldingly brilliant as they did back in 1995, Shaun Ryder’s caustic, absurd party monsters are a re-formed force to be reckoned with

Solid Sound review – Wilco’s intimate art fest brings the masses to MoCA

The band’s carefully curated mix of art and music elevated both forms, while the only fly in the ointment was Mac DeMarco’s half-hearted slacker shtick

GZA/Tortoise/Lightning Bolt review – an expanding musical universe

The acts at Mogwai’s All Tomorrow’s Parties micro-festival take different approaches, but they have intensity, intricacy and nuance in common

Florence + the Machine at Glastonbury 2015 review – infectious enthusiasm

Florence Welch seizes her Glastonbury moment and wrestles it to the ground with abandon in her storming Friday night headline set

The Libertines at Glastonbury 2015 review – whimsical nostalgia

One rare spark captures the incendiary romanticism between Pete and Carl, but fails to light a new-found fire

The Charlatans at Glastonbury 2015 review – indie everymen let the good times roll

The curse of the secret set is broken as Tim Burgess and co fire up the morning crowd with classics such as North Country Boy and One to Another

Michael Head & The Strands: The Olde World review – sublime set of unreleased songs and outtakes

A set of songs left off the Strands’ classic 1997 album provides fans with some more wonderful Michael Head moments

Mogwai review – tidal waves of feedback and colossal screes of sound

Glasgow’s indomitable post-rock group celebrate 20 years of making visceral, humane noise with another set of immaculate soundscapes

Wolf Alice: My Love Is Cool review – giddy with vim and potential

The grungy Londoners do more than wallow in the past on their 90s-friendly debut

Everything Everything: Get to Heaven review – a Radiohead you can dance to

The quartet’s third album is bursting with ideas and fights shy of easy pigeonholing

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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