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Matthew E White review – a masterclass in limitations

A rare solo gig from Matthew E White proves an unusually intense encounter following the sudden death of his amp

Modest Mouse: Strangers to Ourselves review – a solid enough return

The American indie act’s first album in eight years is enjoyably inventive, if occasionally heavy going

Daniel Johns: Aerial Love review – an unexpectedly slinky and sensuous EP

The former grunge rocker shows his more soulful side with a new release filled with beautifully restrained electronica and sticky falsetto, writes Everett True

Modest Mouse: Strangers to Ourselves review – indie-rock business as usual

Isaac Brock’s pal-up with Outkast’s Big Boi suggested Modest Mouse’s new album might be something quite different – but it’s really not

Idlewild review – their influence is overlooked

Frontman Roddy Woomble leaves his high-yelping days behind him as the Scottish band return to reignite a back catalogue rich in great choruses

Will Butler: Policy review – endearingly ramshackle

The first solo album from Arcade Fire’s Will Butler is driven by his own personal dynamism

Love Of Diagrams: Blast review – lacklustre shoegaze that plays it too safe

Melbourne’s indie darlings turn in a competent fourth album – but should the band be applauded for simply sticking to their guns?

Will Butler: Policy review – freewheeling songs full of big questions

Arcade Fire’s Will Butler presents an album of eight raucously enjoyable songs that hop between genres with delightful skill

Young Guv: Ripe 4 Luv review – jangling between Big Star and C86

What elevates this beyond mere pastiche is Young Guv’s desire to branch out

Stephen Malkmus and the Jicks – playful eccentricity from an indie stalwart

The former Pavement lead singer played his grungy classics and new offbeat pop tracks to a packed Sydney crowd

The War on Drugs review – triumphant, molten heartbreak music

Brixton Academy, LondonAdam Granduciel’s fractured, soul-spilling songs move beyond ragged-glory Americana into rhythmic, sparky epics tonight

Mogwai review – driving krautrock played seat-shakingly loud

Sydney Opera House, SydneyThe Scottish post-rock band celebrate 20 years of noisy music, with volume dials turned up to the limits of the Opera House’s acoustic system

Purity Ring: Another Eternity review – average alt-pop hybrid

The Canadian duo opt for more of a teen-pop sound on their sophomore effort, and thus lose the odd sound that made them appealing

Ghostpoet: Shedding Skin review – new alt-rock territory grabs bigger ideas

Obaro Ejimiwe takes himself in a different musical direction, by way of developing into a more compelling artist

The Cribs review – like setting off a firework in a tin can

The Jarman brothers messily assault their punkish indie oeuvre with a rush that feels positively Proustian in its recall of the mid-noughties, writes Malcolm Jack

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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