Jake Bugg at Glastonbury 2014 review – festival favourite still has a way to go
The Nottingham phenomenon has been rushed up the bill, but is showing an unfortunate fondness for boogie-woogie filler, writes Mark Beaumont
Wolf Alice at Glastonbury 2014 review – melodic and savage
Guitar rock's new hope attack indie music with ferociousness, producing sweet-toothed tunes doused in acidic bitterness, writes Mark Beaumont
Fat White Family at Glastonbury 2014 review – carefree caterwauling
Their devil-may-care attitude masks a talent for doom-laden rock'n'roll dirge-mongering, writes Lanre Bakare
Elbow at Glastonbury 2014 review – Garvey sings the soundtrack to sunset
Indie's old-timers greet Glastonbury open-armed, swelling from festival hold music into a far greater, less formulaic prospect
Jungle at Glastonbury 2014 review – attention-grabbing futurist soul
If their laser-honed indie R&B felt too precise, Jungle showed enough invention and energy to get a massive crowd moving, writes Gwilym Mumford
The War on Drugs at Glastonbury 2014 review – escapism and wide horizons
The sight of the sun for the first time today enhances the set's sense of ecstatic ascent, writes Dorian Lynskey
The Phantom Band: Strange Friend review – shape-shifting mix of folk, rock, electronica and more
The Phantom Band's first album since 2010 veers all over the place stylistically, occasionally coming together in truly joyous fashion, writes Jon Dennis
The The: Soul Mining reissue review – a brilliant and idiosyncratic pop album
Alexis Petridis: The The's first album, which dropped out of sight after release, was later acclaimed as a masterpiece. This reissue is richly deserved
Camden Crawl review – less buzz, more original spirit
Lack of star billing cut the queues to reveal a cornucopia of underground talent at this year's edition of the Camden mainstay, writes Mark Beaumont
The Antlers: Familiars review – introspective but controlled leftfield melancholia
Brooklyn's Antlers are as mournful as ever on their fourth album, but add a new, vaguely jazz-influenced layer to their sound, writes Jon Dennis
Happyness: Weird Little Birthday review – charming UK slacker-rock
Following the likes of Mazes and Yuck, here's another British band making a fuzzy, US-indebted indie-rock racket really rather well, writes Michael Hann
Peter Matthew Bauer: Liberation! review – Walkmen bassist’s mysterious solo album
The former Walkmen bass player delivers a delicate and ambiguous solo debut that contains some lofty ideas – or hints at them anyway, writes Harriet Gibsone
Echo and the Bunnymen review – sighing against the dying of the light
The epic swagger is subdued as the indie icons tour their latest, fan-funded album. But the 80s classics still impress, writes Ian Gittins
Parquet Courts: Sunbathing Animal review – twitchy garage-rock tales
Parquet Courts' latest spins its tales of oddballs and outcasts atop an upbeat, garagey clatter, but could do with a bit more variation, writes Lanre Bakare
Royal Blood review – switch off and bathe in the fuzz
Subtle they're not, but the British two-piece batter the audience into submission with monster riffs and bloodthirsty drum-smacking, writes Lachlan Marks