Tired Pony: The Ghost of the Mountain – review
The supergroup sound a lot like Snow Patrol – again, writes Ally Carnwath
Travis: Where You Stand – review
It seems unlikely it will return them to their million-selling commercial peak, but Travis' loyal fans will be very pleased with their new album, writes Dave Simpson
Tired Pony: The Ghost of the Mountain – review
This on-off supergroup featuring Snow Patrol's Gary Lightbody and Peter Buck of REM return with more cinematic Americana, writes Dave Simpson
No Age: An Object – review
No Age did everything themselves for their new album – writing, recording, designing, manufacturing – but they don't always make it sound much fun, writes Harriet Gibsone
Drenge: Drenge – review
Gnarly, angsty rockers Drenge certainly don't aim to please – but that's probably a virtue in the era of Mumford & Sons, writes Tim Jonze
The Polyphonic Spree; Swim Deep – review
Ten years after their moment in the sun, the Polyphonic Spree remain irrepressible, writes Kitty Empire
Outfit: Performance – review
Liverpool's Outfit blend their home city's indie and dance sounds into a hedonistic but haunting debut, writes Harriet Gibsone
Washed Out: Paracosm – review
Chillwave was briefly the hippest genre around. That didn't last, but its poster boy seems to have staying power, writes Alexis Petridis
Swim Deep: Where the Heaven Are We – review
Birmingham indie band Swim Deep have the sound for summer but their songs leave Phil Mongredien cold
R Stevie Moore: Personal Appeal – review
The latest R Stevie Moore 'best of' set provides a good overview of his weirdo pop ways, writes Maddy Costa
Pond: Hobo Rocket – review
The Tame Impala alter ego's fifth album is at its best when they ease off the ideas and allow their psychedelic majesty to shine through, writes Dave Simpson
Youngblood Hawke: Wake Up – review
Youngblood Hawke clearly want us to have a good time, but the euphoria doesn't last long, writes Harriet Gibsone
Swim Deep: Where the Heaven Are We? – review
After Peace earlier this year, another Birmingham baggy-revival band deliver their debut, and it's decent but ultimately a bit middling, writes Michael Hann
Mogwai: Les Revenants – review
Glasgow post-rock veterans really hit their soundtracking stride with this music written for a French TV thriller, writes Dave Simpson
Alela Diane: About Farewell – review
Alela Diane's fifth album returns to the melancholy of her early work as she picks over a big breakup, writes Harriet Gibsone