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Summer Chill by Joe Webb review – the soundtrack to an imaginary 60s pool party

Inspired by old teen movies, Webb and his A-team swing into action with a set of classy instrumentals

Tumi Mogorosi: Group Theory: Black Music review – bombastic jazz rooted in radical thought

The South African drummer and friends pair the self-obliterating spirit of Coltrane, Ayler and poet Amiri Baraka with a nine-piece choir to create a layered and compelling work

Avishai Cohen Trio: Shifting Sands review – exhilarating, incandescent jazz

With Elchin Shirinov on keys and 21-year-old sensation Roni Kaspi on drums, Cohen delivers a stark, superb set

Grand Union Orchestra: Made By Human Hands review – endless variety

A career-spanning collection celebrates 40 years of this exuberant, genre-defying big band

George Clinton & Parliament-Funkadelic review – fabulous fusions on farewell tour

At 81, Clinton occasionally needs to sit down, but his band more than carry him with musicianship that straddles acid-rock, jazz and more

Mary Halvorson: Amaryllis / Belladonna review – new landmarks in an inimitable jazz discography

The release of two contrasting albums demonstrate how far this inventive, singleminded guitarist has come, and offers a glimpse of a dazzling future

Wolfgang Haffner: Dream Band Live in Concert review – great grooves with big-band fire

The German jazz drummer’s seven-piece packs a mighty and accurately delivered punch in this uplifting set

BBCNOW CoLaboratory/Monbet review – experimental evening is great fun

French-Irish conductor and violinist Fiona Monbet oversaw a chameleonic programme that incorporated blues, bossa nova and a ballet suite

Spiritualized: Everything Was Beautiful review – a sweet din of magnificent melodies

The space rockers’ ninth outing is their most assured in a long time, revelling in ecstatic keyboards and orchestral wallopsps

Malcolm Earle Smith: Vocal Intent review – a singing trombonist? You bet…

The British trombonist’s first vocal album breathes new life into old standards with huge flair

Sault: Air review – a daring act of creative rebirth pays off

Taking bold risks with a mostly wordless sixth album, Dean Josiah Cover ascends to spiritual new heights

Flora Purim: If You Will review – a happy 80th birthday return

The first lady of Brazilian music is back with a celebratory album that keeps it in the family

Trish Clowes: A View With a Room review – a dreamy mix of structure and eclectic improv

Cinematic reveries and uncliched improv come together on the saxophonist-composer’s impressive seventh album

Mark Turner: Return from the Stars review – out of this world

The American saxophonist’s ace quartet rise to the challenge of his demanding compositions with real flair

Brad Mehldau: Jacob’s Ladder review – prog rock and Bible stories make for unique, ingenious jazz

The pianist draws on an unlikely combination of childhood obsessions for this hard-hitting, audacious electronic hybrid

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

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