Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Malcolm Jiyane: Umdali review – life-affirming South African jazz

A figure in his country’s jazz scene since his early teens, Jiyane’s skill comes to the fore in his anticipated debut as a bandleader, a set full of hope and momentum

John Coltrane: A Love Supreme Live in Seattle review – a unique record of a landmark band

This amateur 1965 recording from a Seattle club shows Coltrane and his ensemble, expanded to include saxist Pharoah Sanders, at a pivotal moment

Lady Gaga and Tony Bennett: Love for Sale review – jazz interloper livens up crooner’s swansong

The pop diva and jazz maestro defy the latter’s recent Alzheimer’s diagnosis and team up once again, this time for a creditable set of Cole Porter covers

Pat Metheny: Side-Eye NYC (V1.IV) review – new talent and wily reinventions

Metheny’s new trio, with the formidable James Francies on piano and Marcus Gilmore on drums, provoke rapture in this live set

Bendik Giske: Cracks review – cleverly deconstructed sax

The Norwegian musician mics the whole studio, influenced by everything from techno to queer theory, on his hypnotic second album

Andrew Cyrille Quartet: The News review – rolling coverage from octogenarian jazz hero

The 81-year-old drummer deploys crisp cymbals, hushed snares and even brushes on newspaper for this entrancing set alongside Bill Frisell, Ben Street and David Virelles

Jana Rush: Painful Enlightenment review – an electronic visionary

The Chicago producer finds new emotional depths to the footwork genre, confronting depression and overwork in stunningly original music

Latitude festival review: a hyper-real return to glitter, beer and British musical brilliance

The first full-capacity festival since the pandemic began hosted a series of artists – Sons of Kemet and Self Esteem among them – that show how vibrant the UK’s scene still is

Journeys in Modern Jazz: Britain 1965-1972 review – a pivotal period

A wide-ranging compilation featuring Kenny Wheeler, John Surman and Michael Garrick kicks off the celebratory British Jazz Explosion series of releases

Fapy Lafertin New Quartet: Atlântico review – a Romany master of all styles

Lafertin and co move effortlessly though a dazzling set in the tradition of Django Reinhardt and Stéphane Grappelli

Arlo Parks review – impassioned live show creates heady sense of joy

Playing to a masked, distanced audience may not be every singer’s dream but this was a performance of dazzling intimacy

Celeste review – audience transfixed by singer’s stillness and poise

The soul-jazz star’s sold-out performance is unabashedly mainstream, but has real emotional heft

Mike Gibbs: Revisiting Tanglewood 63: The Early Tapes review – jazz genius caught live

These 1970 radio sessions capture some of the era’s best players at their most creative

Arushi Jain: Under the Lilac Sky review – ragas for beautiful sunsets

The composer blends classical Indian vocals and modular synth drones into harmonic textures full of warming solace

Anthony Braxton: Quartet (Standards) 2020 review – astonishing chronicle from a one-off

Latin jazz, freebop and traditional swing rub shoulders as this mammoth set reworks iconic jazz themes and classic pop songs

Post navigation

← Older posts
Newer posts →
  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

Contact www.freakyparty.net   Terms of Use