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Emmet Cohen: Future Stride review – straight outta Harlem

Cohen revisits the stride piano sound of the roaring 20s on a set of classics and originals with charm to spare

Joe Lovano Trio Tapestry: Garden of Expression review – a jazz unit with total empathy

Joe Lovano, Marilyn Crispell and Carmen Castaldi hit the heights again with a lovely minimal second album where the spaces resonate

Madlib: Sound Ancestors review – hip-hop visionary tells wondrous stories in sound

Arranged by Four Tet, the producer’s stunning album is poignant and sincere, combining beats, jazz, reggae toasts and vocal snippets into a kind of folklore

Dexter Gordon: Montmartre 1964 review – a genius abroad

The saxophonist sounds right at home in Copenhagen, supported by an able European band, in this warm live recording

Sonny Rollins: Rollins in Holland review – saxophone colossus on gale-force form

Unreleased recordings of a 1967 tour capture an improv masterclass with Ruud Jacobs and Han Bennink

Brandee Younger and Dezron Douglas: Force Majeure review – perfect marriage of harp and bass

The couple combine forces on a jazzy chamber album full of harmonic intelligence and symbiosis

Shabaka Hutchings/Britten Sinfonia/Paterson review – tangible exhilaration

A leading light of London’s jazz scene gave an extraordinary demonstration of his clarinet expertise, adding nuance to Copland and Stravinsky

Lucia Cadotsch: Speak Low II review – jazz standards dissolved and recast

Cadotsch’s second album continues down an unusual path, combining her spellbinding singing with wayward improv

Judith and Dave O’Higgins: His ’n’ Hers review – duelling saxes

The multitalented forensic pathologist teams up with her husband on this tenor sax masterclass

Sun Ra Arkestra: Swirling review – out of this world

The Arkestra’s first album in 20 years is an intoxicating, cosmic tribute to Sun Ra

Tenderlonious/Jaubi: Ragas from Lahore review – ancient source powers a jazz explorer

Ed Cawthorne blends improv with Indian classical music on this free-flowing collaboration

Vincent Peirani and Emile Parisien: Abrazo review – delightful and astonishing

The saxophonist and accordionist underline their rapport on a beautiful celebration of tango

Django Bates/Norrbotten Big Band: Tenacity review – Bird takes flight

A celebration of Charlie Parker and Bates’s own 60th year prompts radical but heartfelt readings of music by both

Blue Note Re:imagined – a rollercoaster tribute

Today’s jazz leaders pay eloquent dues to the New York label with youthful chat and elements of trip-hop

Diana Krall: This Dream of You review – second to none

Tommy LiPuma’s Midas touch emanates from this elegant record, which puts Krall’s extraordinary talent in full view

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  • Philharmonia/Honeck/Ax review – principal conductor designate gives a scorching taste of things to come
  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting

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