Moses Sumney: Græ review – double album’s stunning first instalment

Moses Sumney’s arresting debut, Aromanticism (2017), introduced a soaring new voice, and an artist keen to resist habitual assumptions about love and genre. This first instalment of a follow-up double album finds this erstwhile poet and US star-in-waiting interrogating grey … Continue reading →

Moses Boyd: Dark Matter review – party-facing solo debut

Moses Boyd is a drummer in the same way Questlove from the Roots is a drummer, which is to say that the twice Mobo-winning 28-year-old Londoner is a producer-composer-collaborator-influencer not bound by the kit surrounding him. A progenitor of the … Continue reading →

Karen Sharp Trio: Another Place review – three is the magic number

Britain’s professional jazz musicians, even those such as saxophonist-composer Karen Sharp who are voted top in magazine polls, don’t spend all their days in recording studios and all their nights on stage at Ronnie Scott’s. For the most part it’s … Continue reading →

Landgren & Lundgren: Kristallen review – tranquil Nordic jazz

My only difficulty with this Swedish duo is in remembering which is which. Nils Landgren is the trombonist, Jan Lundgren is the pianist and they’re both brilliant. Between them, they are masters of many styles, from funk and R&B to … Continue reading →