There aren’t many things in and around music that Branford Marsalis hasn’t done. He’s performed saxophone concertos with symphony orchestras, led the band on America’s favourite late-night TV show, toured with Sting, and made albums with everyone from Harry Connick … Continue reading →
Like many determined futurists, London trio the Comet Is Coming have a foot firmly in the past. Their 2016 debut, Mercury-nominated Channel the Spirits, paid homage to the “cosmic jazz” of Sun Ra and John and Alice Coltrane, an influence … Continue reading →
Tango and jazz have much in common. They emerged from the low dives of port cities (Buenos Aires and New Orleans respectively) towards the end of the 19th century. Over the years, both went through changes, growing sophisticated and somewhat … Continue reading →
Despite boasting the gravitas of tectonic plates rubbing together, the tuba is not usually a lead instrument. Fyah, though, is tuba don Theon Cross’s debut solo album. The Sons of Kemet tubist alternates between rhythm and lead, and when he’s … Continue reading →
A poignant moment, with Brexit looming, to contemplate this vivid example of what was possible 27 years ago. In July 1992, jazz composer Mike Westbrook, with 24 musicians, plus crew and guests, flew to Catania, Sicily, for a three-evening festival … Continue reading →