The Callous Daoboys: I Don’t Want to See You in Heaven review – gonzo mathcore troupe grab on to pop hooks

The Atlanta sextet are as unruly as ever – but there’s a newfound poise on their third album, plus some maddeningly catchy choruses

Spiritbox: Tsunami Sea review – cataclysmic throat-shredding with a side serving of soul

The Canadian metal band’s second album is an adventure in songcraft, from boulders of invective to ruminative, poppy grooves

Motionless in White review – gothically glam US metalcore will put a grin on your face

Backed by skeletons, cheerleaders and chainsaw-wielders, Chris Cerulli and co dispense any heavy metal menace in favour of a charming sense of fun

Uriah Heep review – after 56 years, progressive heavy rockers bid a blistering live farewell

They may not have created any true rock touchstones, but they still have the powerhouse vocals and guitar skills to get the audience on their feet

Trivium and Bullet for My Valentine review – glorious exchange of skull-crushing riffs and deafening roars

The veteran rockers turn back the clock on the dual anniversary of their breakthrough albums, with the south Wales band playing a conquering heroes’ return

Wardruna: Birna review – numbing Norse nature-metal better suited to Netflix scores

Traditional instruments, drones and repetitive lyrics make for some epic listening, possibly more suitable for a medieval TV romp

Slipknot review – metal mammoths deliver exhilarating sonic brutality

Heads bang, moshpits burst into life and riffs eviscerate every corner of the room as the band tear through their debut album 1999 in a visceral sensory haze

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

Linkin Park: From Zero review – rock’s risk takers win big with punchy comeback

They sold millions as the most poppy and emotional band in nu-metal. Now, returning with Emily Armstrong as frontwoman, they remain just as dynamic

Linkin Park review – monster hits perfectly reshaped for a fresh chapter

Back on the road with vocalist Emily Armstrong making their back catalogue her own, the hybrid metallers have found a new audience and a reinvigorated sense of purpose

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Korn review – a mosh-pit erupting set drenched in dark energy

The nu-metal pioneers commit entirely with hulking riffs, frenzied scatting and guttural rage as they stomp through their songs with little ceremony

Download festival review – the rock fest’s most cursed year ever

Plagued by rain, technical issues and boycotts – as well as by some distinctly non-metal headliners – the weekend is practically a washout, despite some virtuoso shredding and fiery melodeath lower down the bill

Thou: Umbilical review – one of the finest metal albums of the past decade

Huge riffs, guttural vocals and fearsome intent create a formidable wall of sound in the US band’s maximalist, in-your-face sixth album

Bring Me the Horizon: Post Human: Nex Gen review – a defining album of our digitally overloaded era

Despite losing a key member, the arena-filling pop-metal stars still thrill with their surprise-released new record – a masterpiece of glutted sonic mayhem