Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts

Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call

Tuneful yet overlong, Dave Mustaine and co’s final album is a recap of Megadeth’s strengths, flaws and familiar grudges

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Bloodstock review – this is the UK’s best fest for true heavy metal madness

Trivium bring the bells and whistles, Gojira are supercharged and Machine Head get 1,011 crowdsurfers as they etch themselves on extreme metal’s Mount Rushmore

Judas Priest review – thrash, hellfire, dazzling guitar … Ozzy would have loved it

Still making stellar new music in their sixth decade, the Brummie band pay tribute to the late Black Sabbath frontman as they cement their place among the heavy metal gods

Black Sabbath and Ozzy Osbourne: Back to the Beginning review – all-star farewell to the gods of metal is epic and emotional

The biggest names in rock, from Metallica to Slayer, came to pay tribute to the men who created their entire genre – and even in old age, Sabbath’s sound has bludgeoning force

Slayer review – spectacle, gore, mayhem and some of metal’s greatest songs

The thrash legends’ first UK gig in six years is a lean and unforgivingly mean set – no breathers, no ballads, only teeth-rattling bangers

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

The Callous Daoboys: I Don’t Want to See You in Heaven review – gonzo mathcore troupe grab on to pop hooks

The Atlanta sextet are as unruly as ever – but there’s a newfound poise on their third album, plus some maddeningly catchy choruses

Spiritbox: Tsunami Sea review – cataclysmic throat-shredding with a side serving of soul

The Canadian metal band’s second album is an adventure in songcraft, from boulders of invective to ruminative, poppy grooves

Motionless in White review – gothically glam US metalcore will put a grin on your face

Backed by skeletons, cheerleaders and chainsaw-wielders, Chris Cerulli and co dispense any heavy metal menace in favour of a charming sense of fun

Uriah Heep review – after 56 years, progressive heavy rockers bid a blistering live farewell

They may not have created any true rock touchstones, but they still have the powerhouse vocals and guitar skills to get the audience on their feet

Trivium and Bullet for My Valentine review – glorious exchange of skull-crushing riffs and deafening roars

The veteran rockers turn back the clock on the dual anniversary of their breakthrough albums, with the south Wales band playing a conquering heroes’ return

Wardruna: Birna review – numbing Norse nature-metal better suited to Netflix scores

Traditional instruments, drones and repetitive lyrics make for some epic listening, possibly more suitable for a medieval TV romp

Post navigation

← Older posts
  • Lucinda Williams review – Americana legend brilliantly rails against a world out of balance
  • Ben Goldscheider/ Richard Uttley review – a horn, a piano … and a braying donkey
  • LPO/Jurowski review – Mahler’s 10th is full of colour, and the composer’s pain, in Barshai’s completion
  • BBCSO/BBC Singers/Brabbins: UnEarth review – Wolfe faces the climate crisis head on
  • Riot Ensemble review – from meditations to mariachi in new music of maximal difference
  • Dijon review – a dense and dramatic forest of futurist sound from Grammy-nominated R&B auteur
  • Harry Styles: Aperture review – a joyous, quietly radical track made for hugging strangers on a dancefloor
  • Tessa Rose Jackson: The Lighthouse review – grief, grace and memory in a luminous folk rebirth
  • Ari Lennox: Vacancy review – the R&B sophisticate’s loosest and most fun outing yet
  • Havergal Brian: The Gothic album review – Ole Schmidt tames a vast, eccentric score
  • Bach: Sonatas & Partitas album review – Capuçon brings warmth, restraint and reflection
  • Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call
  • Hilary Duff review – first gig in 18 years for former teen icon is euphoric, escapist fun
  • GBSR Duo: For Philip Guston review – Feldman’s marathon minimalism rewards deep listening
  • BBCSO/Schuldt review – Phibbs cello concerto brings cohesion to uneven programme
  • Nick Cave & the Bad Seeds review – an electrifying crescendo of faith, fury and fragile joy
  • Death of Gesualdo review – a creepy and compelling combination of beauty and horror
  • Emmylou Harris review – spine-tingling goodbye from 78-year-old country legend
  • CBSO/Yamada review – Moore’s trombone adventures into Fujikura’s sonic oceans
  • A$AP Rocky: Don’t Be Dumb review – a charismatic, playful return, but it’s no slam dunk
  • Julianna Barwick and Mary Lattimore: Tragic Magic review – tragedy and hope in a dreamlike haze
  • Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal
  • Brahms: Late Piano Works album review – Anderszewski leans into the sorrow of these intimate miniatures
  • Robbie Williams: Britpop review – a wayward yet winning time-machine trip back to the 90s
  • Igor Stravinsky: Late Works album review – kudos to Reuss for bringing this spellbinding music to life
  • The Makropulos Affair review – Simon Rattle leads a sensational and thrilling semi-staging
  • Biffy Clyro review – triumphant set marks a thunderous renewal
  • Are ‘Friends’ Electric? review – Elaine Mitchener redefines what singing means in virtuoso tour-de-force
  • An English Song Winterreise review – Roderick Williams masterfully mirrors Schubert’s iconic song cycle
  • BBCNOW/ Bancroft/ Gerhardt review – intriguing connections, magic and melancholy beauty

Contact www.freakyparty.net   Terms of Use