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The Cult: Hidden City review – ever-changing rock veterans still on the move

Ian Astbury, Billy Duffy and co present some of their strongest songs in years on an album that forges yet another new path

Megadeth: Dystopia review – a fired-up and furious return to form

After the disappointment of their 2012 album, Megadeth’s latest is a return to their angry, thrashy best

Sunn O))): Kannon review – back to their drone metal roots

Play it loud enough and the Seattle-based duo’s latest album offers thrills with the disorientation

Sunn O))): Kannon review – daunting but oddly relaxing drone-metal

The titans of abstract metal return with a new exercise in heavy meditation

Baroness: Purple review – metallers lunge for mainstream glory

Back in force after their 2012 bus crash, the Georgians return with more giant hooks and elegant guitar interplay than ever

Slayer review – vital, vicious and loud

With a reconfigured lineup and renewed commitment to the infernal cause, the LA metallers reclaimed their crown as the masters of darkness

Autopsy: Skull Grinder review – death metal veterans sounding more depraved than ever

With almost 30 years of breakneck extremity under their belts, Autopsy sound as gruesomely great as ever on their latest EP

Judas Priest review – a fans-only affair picks up in the final act

They’re on their eighth drummer, the inventor of hair metal is now bald, and despite a massive farewell tour, the Priest keep rocking

Fuzz: II review – mountainous second album from Ty Segall’s Sabbathian supergroup

A bigger sound, proggier riffs and more of pretty much everything make Fuzz’s second album feel truly huge

Deafheaven: New Bermuda review – cinematic mainstream-friendly metal

Those who like the loud bits of Mogwai and the more melodic moments of Dillinger Escape Plan will have found the metal band for them.

Trivium: Silence in the Snow review – metal contenders take a step forward

The sense of indecision that hung over Trivium’s previous albums is replaced by focused, refined, heavy-metal power on their latest

Bring Me the Horizon: That’s the Spirit review – nu-metal reanimators

Sheffield’s Bring Me the Horizon seem to be on a mission to revive the corpse of nu-metal, and it might just work

Slayer: Repentless review – thrash masters still stupidly exciting

Despite deaths and departures, Slayer’s evil powers remain undimmed on this whiplash-inducing new set

Uncle Acid and the Deadbeats: The Night Creeper review – taut and dynamic

The Cambridge stoner/doom-psych quartet do nothing new, but they won’t disappoint fans, either

Five Finger Death Punch: Got Your Six – focused and ferocious

Five Finger Death Punch’s gruff charm is irresistible and their secret weapon is the vein-popping roar of singer Ivan Moody

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  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

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