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System of a Down review – noir-rock epics and the history of genocide

The American-Armenian skull-pummelers deliver some worthy political messages amid a messy sprawl of intricate, disjointed hardcore

Halestorm: Into the Wild Life review – radio-friendly rockers scrubbed clean

A heavy-handed production job makes this previously likable hard-rock band sound plastic and cynical

Nightwish: Endless Forms Most Beautiful review – ambitious change of direction

They’re out of their symphonic metal comfort zone, but the Finns successfully deliver an intriguing and effective paean to evolutionary science

Unlocking the Truth and Natalie Prass at SXSW – smackdowns and stumbles

The metal teen trio triumph with a pulverising show, but Natalie Prass is bedevilled by the lack of a Wurlitzer

Steel Panther review – priapic hair metal parody with legs

Sleazy and puerile as their songs are, Steel Panther have the attention to detail and musical chops to go all night

Napalm Death: Apex Predator – Easy Meat review – grindcore masters on top form

Napalm Death’s 15th album is a remorseless assault on the senses from one of the few truly subversive bands around, writes Dom Lawson

Slipknot review – showbiz shock and awe

The horror-masked, anti-establishment Iowa band’s showbiz tactics still whip up their enthusiastic fans, writes Dave Simpson

Bring Me the Horizon review – a raucous rejuvenation of British metal

British metal sensations Bring Me the Horizon transformed Wembley Arena into a churning maelstrom of flailing bodies, writes Mark Beaumont

Mastodon review – fearsomely virtuosic

The four frontmen straddle the divide between their hardcore roots and crossover future with ease, writes Stevie Chick

Linkin Park review – the guitars are back, and they’re loud

After a flirtation with experimental electronica, the US rockers have returned to more familiar ground, writes Dave Simpson

AC/DC – Rock or Bust first listen review – ‘If this is to be their last album, they haven’t disgraced themselves’

Can AC/DC pluck triumph from the disaster of their guitarist’s departure and their drummer’s troubles with their 16th album?

Machine Head: Bloodstone & Diamonds review – visceral and emotional

The finest mainstream metal album of the year is equal parts force, melody and experimentation, writes Dom Lawson

Devin Townsend: Z2 review – beautiful and bewildering

Cinematic mischief and opulence are on offer from this Canadian metal man who could be poised for a mainstream breakthrough, writes Dom Lawson

Scott Walker + Sunn O))): Soused review – rich in imagination and surprisingly accessible

The combination of an avant-garde auteur and an experimental metal duo is more alluring than it might sound, writes Phil Mongredien

Slipknot: .5: The Gray Chapter review – Iowan rockers’ suitably unhinged return

Despite the death and departure of two key members, Slipknot’s first album in six years is as warped and explosive as anything they’ve done, writes Dom Lawson

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  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

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