Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

LSO/Hannigan review – intensely fluent soprano switches into full command as conductor

Barbara Hannigan began the evening singing an intense monodrama based on Han Kang’s The White Book, then led the orchestra through unsparing Ligeti and Strauss

Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was

Dodgy conspiracy theories are thankfully kept to one track, but the rest is not much better, lacking insight even when Morrissey returns to his specialist subjects

Feshareki/BBC Singers/Goddard review – goddess-inspired soundscape stuck in the great unknown

Shiva Feshareki’s Divine Feminine fails to find its focus despite soprano Emma Tring’s incandescent, fearless performance of Celtic deity Brigid

Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown

Watkins’s symphony, fanfare and concerto make for a spirited showcase of the orchestra’s clean harmonies

Simo Cell and Abdullah Miniawy: Dying Is the Internet review – a virtuosic voice cuts through digital noise

The latest collaboration between the French producer and Egyptian singer pairs soaring musicality with frenetic electronics to examine the age of AI

Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

Mitski review – pop meets performance art in a masterful spectacle

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow

Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

Recorded in New York in 2023, the soprano sings Strauss, Wagner, Grieg and more to thrilling effect, her sincerity and passion matched perfectly on piano

10cc review – 70s legends reprise a dazzling string of pop classics

Fifty years since the band fractured with the departure of Godley and Creme, songs from Donna to I’m Not in Love are in prime condition on what is billed as ‘another bloody greatest hits tour’

Dave review – prodigiously skilled rapper conjures thrilling intimacy on a grand scale

Showcasing chart-topping album The Boy Who Played the Harp, Dave charismatically switches between heavy beats, rock-show grandeur and searching introspection

Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally

The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words

David Byrne review – in life during wartime, this show will restore your faith in humanity

Byrne again reimagines the possibilities of the live gig, creating a vision of egalitarianism backed by elastic bass and polyrhythms

Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?

Allen isn’t in the first act of her own show, only coming on after 45 minutes of a string ensemble to stiffly deliver her acclaimed album in full

Philharmonia/ Schwarz/ Ólafsson review – a masterclass in pianissimo

Marking György Kurtág’s 100th birthday, Elena Schwarz and Víkingur Ólafsson led a programme of hushed intensity and fleeting ferocity

Post navigation

← Older posts
Newer posts →
  • Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury
  • Ibeyi: Offering review – French twin sisters master the balance between mysticism and edge
  • Joe Lovano: Paramount Quartet review – inspired sax maestro bounces from bebop to fertile improv
  • Elgar and Dvořák: Cello Concertos album review – Gerhardt’s readings are forthright, refreshing and thoughtful
  • Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness
  • Myles Smith: My Mess, My Heart, My Life review – faceless, formulaic mush of Mumfords, Sheeran and Coldplay
  • Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale
  • L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi
  • BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance
  • Zach Bryan review – colossal US country star converts the UK to his inclusive take on the rodeo
  • Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience

Contact www.freakyparty.net   Terms of Use