Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy

This thoughtfully curated programme of work by three British composers explores the guitar’s expressive potential, and new arrangements of Harrison Birtwistle’s piano originals are a revelation

The Flying Dutchman review – delusion, torment and menace in detailed and finely sung Wagner

Jack Furness’s unconventional staging for Welsh National Opera sees the orchestra play up a storm under Tomáš Hanus in Wagner’s legend of the man condemned to sail the oceans for eternity

Olivia Rodrigo: Drop Dead review – a maximalist rush of infatuation that’s just a bauble short of festive

On this giddy first taste of the US pop star’s third album, she sets aside her rock bona fides to revel in the opulent flush of a crush-come-true. But why does it seem so doomed?

Lucy Liyou: Mr Cobra review – an arresting trip through the volatile emotions of a predatory relationship

The Korean American musician explores the unease and alarm of power imbalance using skittish melodies, nursery rhymes – and an unexpected Taylor Swift sample

Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill

These stories of family bonds capture traditional music that’s equal parts rhythmic, melodic and harmonic, and rarely heard outside Indigenous communities

Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply

The German baritone’s all-Schubert disc with pianist Ammiel Bushakevitz is full of communicative diction and poetic phrasing

Jessie Ware: Superbloom review – Table Manners host dishes up more disco – but where are the bangers?

The podcaster’s third sequin-festooned album in a row is her most retro, with its slightly cringe moments balanced by unerring quality control and opulent arrangements

Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times

Unsettling breathing, arrhythmic clatter, gloomy piano and military snares underpin a Beefheartian portrayal of a boorish warmonger on the band’s ominous return

Brodsky Quartet / William Barton review – two hemispheres meet in winning didgeridoo collaboration

An unlikely alliance cut a swathe through folk songs, Janáček and music from Australia and New Zealand in an eclectic and beautiful evening

Leeds Song festival review – from haiku to hauntings in evening that thinks outside the box

Roderick Williams could breathe life into a telephone directory, but found much better material in his recital with Iain Burnside. A later concert featured atmospheric soundscapes from local composer Martin Iddon

Karol G at Coachella review – electrifying set destined for festival’s hall of fame

With dazzling choreography and head-spinning set pieces, the Colombian star delivered a victorious statement of Latin pride

Dido and Aeneas review – young Welsh talent shines bright in Purcell

Created in just a week with a cast of rising stars and amateur singers, Mid Wales Opera’s production – and its heart-wrenching ending – is a remarkable achievement

Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set

For a reportedly record-breaking amount of money, the increasingly reclusive star proves his voice is still golden in a headliner performance light on enthusiasm

National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity

Young performers brought tremendous quality and personal touches to a concert of works from Wagner to pop star Jacob Collier, under the focused guidance of new principal conductor Alpesh Chauhan

Salome review – righteous fury and dynamic clarity give Regents Opera its head

Directed with gangsterish overtones by Mark Ravenhill, the tempered musical weight of this lean production of the Strauss classic brings greater focus on the roles’ contrasting dramas