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AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show

Brooklyn Paramount, New YorkThe super-producer, whose big name collaborators include Charli xcx and Beyoncé, goes maximalist for a euphoric, high-energy Friday-night triumph

Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran

Once a viral TikTok dancer, Rae has only performed live a handful of times, but is remarkably assured as her voice glides across pounding club-ready beats

Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

​The controversy-courting star is in perfect alignment with producer Jack Antonoff, on detailed and utterly delightful tracks that make her previous hit album seem rudimentary in comparison

Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

Who else could combine soul, yodelling, Jamie Oliver and Calpol into such charming songs about the messy modern psyche? Only Europe’s best new breakout star

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Blood Orange: Essex Honey review – an exquisitely eclectic portrait of grief

Gorgeous melodies ground Dev Hynes’s questing fifth album, via dancefloor rhythms, indie pop and languorous funk – and cameos from Lorde and Zadie Smith

Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent

His most recent album may have tanked but it works better played live, and Smith is endearing as he continues to get jiggy with it

Krankenhaus review – Lake District castle has the antithesis to boring corporate music festivals

Featuring steam train trips and guided walks between the bands, organisers Sea Power have made something special in this dung-scented corner of the north

Reading and Leeds festival review – Chappell Roan slays and Bring Me the Horizon power the circle pits

Thousands of post-GCSE teens join acts from pop-poet Antony Szmierek to rap megastar Travis Scott, before Hozier blazes and Wunderhorse go off like a rocket

Nourished By Time: The Passionate Ones review – committed, full-hearted post-R&B

Marcus Brown’s second album makes a plea for big feelings in earthy vocals, rolling breakbeats and a contender for song of the summer

Bleak Squad: Strange Love review – Australia’s newest supergroup sound like they’ve been together for years

Four music greats – Mick Harvey, Mick Turner, Adalita and Marty Brown – have created a genuine collaboration that leaves room for all their talents

Coldplay review – after 12m tickets sold, this tour is still a mindblowing spectacle

They may be as cloyingly earnest as ever, but even amid an overwhelming production full of fireworks and lovehearts, Chris Martin and co are in total control

Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll

Progressive, independent and more sonically diverse than ever, the Brecon Beacons festival offered sterling sets from MJ Lenderman to Mike, Jasmine.4.t to Joshua Idehen

Sault review – GCSE-level drama performance borders on the pretentious

Standout moments included Chronixx captivating on stage, Yasiin Bey delivering a seamless guest verse and Cleo Sol’s ethereal appearance – but the theatrics felt alienating

Rise Against: Ricochet review – slick shift doesn’t skimp on righteous anger

Blood-and-guts emotion with the energy of the punk veterans’ early years meets high-sheen recording craft in a hulking 10th album

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  • Shakespeare’s Sisters review: brilliantly unexpected songs and prose give voice to the voiceless
  • Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype
  • Super Furry Animals review – stirring reunion showcases immaculate songcraft
  • Darkness Visible: Âme x Lawrence Power review – violist and guests reimagine the concert for the digital age
  • Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
  • Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
  • Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights
  • Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze
  • Helen Charlston: A Poet’s Love album review – original and absorbing
  • Billie Eilish – Hit Me Hard and Soft: The Tour review – style trumps substance in James Cameron’s 3D oddity
  • Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance
  • Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs
  • Peter Grimes review – beauty and terror in Warner’s topical staging
  • Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history
  • Galilee String Quartet review – Palestinian ensemble improvise their signature east-west blend
  • Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill
  • Gabriela Montero review – radiant renderings of postcard Spain with an excursion into the Beatles
  • Papillons review – rich and strange collaboration exemplifies the spirit of Multitudes festival
  • Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome
  • Kneecap: Fenian review – their new album is terrific, triumphant yet tortured
  • Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot
  • Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour
  • Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence
  • O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
  • Ne-Yo and Akon review – joyous joint tour is like time-travelling to a messy night out in 2010
  • Schwarzman Centre opening concerts – a magnificent new monument to secular culture
  • Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever
  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience
  • Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire

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