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AC/DC review – a thrilling show stuffed with classics … and your eardrums will never be the same

In the band’s ‘ancestral homeland’, Accadacca’s first Australian concert in a decade shows Angus Young is still a frenzied force to be reckoned with

Addison Rae review – glorious fantasy from pop’s newest star

With a wedding dress and a giant crystal chandelier, the TikToker-turned-pop wunderkind’s live show is a welcome breath of escapism

Charli xcx: House ft John Cale review – haunt me, then! An elegant, brutal taste of the Wuthering Heights OST

Featuring a lugubrious monologue from the Velvet Underground legend, its jagged strings are more reminiscent of that band than anything on Brat

Bread of Angels: A Memoir, by Patti Smith review – a wild ride with the poet of punk

Smith’s incantatory voice shines through in this surprisingly revelatory follow up to Just Kids and M Train

Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday

The perma-sunglassed singer tries to transport himself and the audience to a higher plane, culminating in a cathartic sing-along like a gigantic Last Night of the Proms

The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

The latest themed album from John Darnielle’s band – with some help from Lin-Manuel Miranda – takes them on a sumptuously crafted and surprisingly upbeat voyage to a desert island

Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever

After five decades, the songs are still memorable, warm and a little sex-mad. It’s classic Kelly – and Joe’s back, too

Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity

Eschewing the fairyfloss hooks of her earlier work, the Australian’s third album is both more mature and less immediately palatable

Radiohead review – bards of the apocalypse return for a brutal bacchanal

Powered by a pounding rhythm section, the crowd dance to even the tricksiest drum patterns at Radiohead’s first gig in seven years – one that demonstrates the pure joy this band can bring

Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else

The Catalan star’s monumental fourth LP features lyrics in 13 languages, references to female saints, the London Symphony Orchestra – and Björk on ‘divine intervention’

Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman

Waxahatchee and her twin sister are joined by Lenderman and Brad Cook for an album of headstrong, tender Americana about chasing integrity and conviction

Florence + the Machine: Everybody Scream review – alt-rock survivor surveys her kingdom with swagger

On her self-deprecating, viscera-flecked sixth record, Florence Welch picks apart the compulsions and contradictions of fame

Anna von Hausswolff: Iconoclasts review – exhilarating, euphoric goth songcraft

The Swedish experimental musician pivots from drones to spectacular pop melodies, with guest spots from Iggy Pop and Ethel Cain

Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form

Pop’s lost prodigy returns for the first time in 23 years with a dazzling, genre-hopping show – and a falsetto that still floors the crowd

Jennifer Walton: Daughters review – a stylish and painful debut

Fiction, folk and a devastating diagnosis feature in the producer and DJ’s literary penmanship, her gentle, gothic vocals thick with morbid, magical thinking

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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