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Madison Cunningham review – complex new tunes from a folk singer with a knack for a twist

The Los Angeles musician is developing a heavier, rockier sound than before, but her astonishing voice and intuitive melodies are as strong as ever

Victoria Canal: Slowly, It Dawns review – a musical promise fulfilled

The Chris Martin-feted Spanish American singer-songwriter delivers a debut album that is mainstream pop fare but packed with variety and nuance

Songhoy Blues: Héritage review – the Malian rockers take a gorgeous acoustic turn

Close harmonies and delicate percussion front and centre showcase the band’s songwriting finesse on their beguiling fourth album

Mogwai: The Bad Fire review – noise stalwarts’ journey into hell is unexpectedly heavenly

(Rock Action)While old-school fans may lament their softening, the Glasgow band swap rage for refuge as they face personal strife – and their 30th anniversary

Moonchild Sanelly: Full Moon review – hustle, energy and smut aplenty

(Transgressive)The sex-positive South African trailblazer deserves to break into the mainstream with the fullest expression so far of her wit and sheer verve

Ethel Cain: Perverts review – a gothic follow-up determined to stay underground

Ambient soundscapes dominate US singer-songwriter Hayden Silas Anhedönia’s resolutely avant garde second album

Franz Ferdinand: The Human Fear review – more revitalisation than reinvention

The Scottish art rockers’ sixth album benefits from an infusion of fresh blood, but can’t maintain the standards of the first few songs

Moonchild Sanelly: Full Moon review – sex-positive South African swaggers towards stardom

Spinning the sounds of Johannesburg and Durban into distinctive, abrasive electro-pop, the blue-braided singer is filthy and sharply funny

Lambrini Girls: Who Let the Dogs Out review – stomps straight to the top of British punk’s table

Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut

Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth

Alex Kapranos and co are finally acting their age, but have lost their cool in the process

Ethel Cain: Perverts review – pink noise and punishment as cult star heads underground

(Daughters of Cain)Having struggled with the obsessive fandom drawn to her widescreen pop-Americana, Cain returns with 90 minutes of collapsing songs and confrontational power electronics

Phish review – spiraling jams and communal bliss at Madison Square Garden

Unsinkable Vermont four-piece ring in the new year with a dazzling mix of improvisation, spectacle and fan devotion

Beyoncé NFL half-time show review – country ho-ho-ho-down is playful and infectious

Show livestreamed on Netflix is first live performance of material from country-themed album Cowboy Carter

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Paul McCartney review – a dizzying, bittersweet, life-encompassing journey through time

An eras tour of a different kind finds the 82-year-old former Beatle on tremendous form, packing a three-hour show with hits, flashbacks and real emotion

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  • RPO/Edusei/Masabane Cecilia Rangwanasha review – the makings of a classic Strauss
  • The Hallé Presents … Jonny Greenwood review – everything in its right place, almost
  • Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating
  • Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run
  • Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
  • Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary
  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • Bath BachFest review – joyous and mesmerising music making
  • BBC Total Immersion: Icelandic Chill review – ambience, flowerpots and drones in varied day of new music
  • Sacconi Quartet review – new Freya Waley-Cohen work reveals ensemble at their finest
  • Tamara Stefanovich review – inspired and insightful programme celebrates Kurtág at 100
  • Hedera: Hedera review – Cornwall, Georgia and Bali combine on joyful debut
  • Hen Ogledd: Discombobulated review – a manifesto for collective action from Richard Dawson’s folk-rockers
  • HK Gruber: Short Stories from the Vienna Woods album review – still quirky after all these years
  • Johann Ludwig Bach: The Leipzig Cantatas album review – this distant cousin’s music is a remarkable discovery
  • Saul review – Purves didn’t just chew the scenery, he swallowed it whole
  • The Streets review – semi-theatrical staging of A Grand Don’t Come for Free resurrects a British classic
  • Mitski: Nothing’s About to Happen to Me review – mordant, melodic melancholy from the best songwriter of her generation
  • U2: Days of Ash review – six new tracks reaffirm the band as a vital political voice
  • Raye review – dazzling display of range from old-school Vegas to Euro-dance
  • Cardi B review – ambitious spectacle and sizzling choreography
  • Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia
  • Gillian Welch and David Rawlings review – phenomenal duo put on an exquisite show
  • BBCSO/ Rustioni/ Davóne Tines review – Black-tinged Anthem spins US nationhood
  • Deftones review – alt-metal veterans sound exceptionally fresh 38 years on
  • The Great Wave review – Hokusai opera sounds and looks beautiful but skimps on drama
  • Charli xcx: Wuthering Heights review – atonal, amorous anthems that more than stand apart from the film
  • Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph
  • Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious

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