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David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing

His last album was criticised for being too upbeat during Trump 1.0 but became a phenomenal live show, and the Talking Heads frontman remains sunny – almost to a fault

End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital

Full of warmth despite the rain, highs include Mexico City experimentalists Titanic and Vermont songwriter Lily Seabird’s gorgeously open-hearted voice

Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant

Dressed like a vicar, Albarn leads his band – joined by a choir, a string quartet, De La Soul and more – in renewing Demon Days’ downbeat drama

AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show

Brooklyn Paramount, New YorkThe super-producer, whose big name collaborators include Charli xcx and Beyoncé, goes maximalist for a euphoric, high-energy Friday-night triumph

Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran

Once a viral TikTok dancer, Rae has only performed live a handful of times, but is remarkably assured as her voice glides across pounding club-ready beats

Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

​The controversy-courting star is in perfect alignment with producer Jack Antonoff, on detailed and utterly delightful tracks that make her previous hit album seem rudimentary in comparison

Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

Who else could combine soul, yodelling, Jamie Oliver and Calpol into such charming songs about the messy modern psyche? Only Europe’s best new breakout star

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Blood Orange: Essex Honey review – an exquisitely eclectic portrait of grief

Gorgeous melodies ground Dev Hynes’s questing fifth album, via dancefloor rhythms, indie pop and languorous funk – and cameos from Lorde and Zadie Smith

Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent

His most recent album may have tanked but it works better played live, and Smith is endearing as he continues to get jiggy with it

Krankenhaus review – Lake District castle has the antithesis to boring corporate music festivals

Featuring steam train trips and guided walks between the bands, organisers Sea Power have made something special in this dung-scented corner of the north

Reading and Leeds festival review – Chappell Roan slays and Bring Me the Horizon power the circle pits

Thousands of post-GCSE teens join acts from pop-poet Antony Szmierek to rap megastar Travis Scott, before Hozier blazes and Wunderhorse go off like a rocket

Nourished By Time: The Passionate Ones review – committed, full-hearted post-R&B

Marcus Brown’s second album makes a plea for big feelings in earthy vocals, rolling breakbeats and a contender for song of the summer

Bleak Squad: Strange Love review – Australia’s newest supergroup sound like they’ve been together for years

Four music greats – Mick Harvey, Mick Turner, Adalita and Marty Brown – have created a genuine collaboration that leaves room for all their talents

Coldplay review – after 12m tickets sold, this tour is still a mindblowing spectacle

They may be as cloyingly earnest as ever, but even amid an overwhelming production full of fireworks and lovehearts, Chris Martin and co are in total control

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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