Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

2hollis: Star review – sounds like the internet and bound for stardom

An underground phenomenon since his teenage years, Hollis Frazier-Herndon feels like a male Charli xcx about to take off

Ed Sheeran: Azizam review – a cross-cultural Persian experiment … which sounds incredibly English

After a couple of earthy, rootsy albums, Sheeran emphatically returns to pop with another of his indelible hooks, surrounded by Middle Eastern instrumentation

Black Country, New Road: Forever Howlong review – revamped alt-rockers take a newer, weirder road

After losing their frontman, the band’s third studio album shows how resilient and adaptable they are, with luscious melodies, fantastical lyrics and lots of recorders

Cyndi Lauper review – 80s pop eccentric hasn’t changed a bit

Her farewell tour is a pockmarked history of her roots and wide-ranging influences, full of her trademark elan and vigour

Usher review – glitzy Vegas-style spectacle is completely preposterous and preposterously entertaining

From rollerskating around the stage wearing a union jack suit to feeding cocktail cherries to women in the audience, Usher wears middle age incredibly well

Perfume Genius: Glory review – full of energy and biting nuance

Consummate chronicler of 21st-century sensuality Mike Hadreas returns to his indie roots on a convivial seventh album stalked by death and desire

Yukimi: For You review – sweet solo debut for Little Dragon singer

Yukimi Nagano’s first record without the Swedish synth-pop band is a light but pleasurable affair

Liz Stringer: The Second High review – an intelligent, assured album from a singular musician

All but ignored by the mainstream, Stringer seems unconcerned by wider radio play, with her seventh album for patient and attentive listeners

Lucy Dacus: Forever Is a Feeling review – Boygenius singer turns timidly tasteful

The Virginia songwriter gets lost in understatement on a loved-up album about her relationship with bandmate Julien Baker, shrouding sharp lyrics in shy melodies

Dua Lipa’s Radical Optimism tour review – momentous show for a star who contains multitudes

Lipa’s voice is resonant and fit and she holds her own as a dancer; while there are lulls in energy between the show’s acts, they’re forgiven when she brings the hits

FKA twigs review – an eye-popping extravaganza of dancing and demons

The ever out-there British artist tours her latest album, Eusexua, with a show whose mix of club vibe, winged beast props and prime back catalogue delights and confounds

John Cale review – 83 years old and still forging deeper underground

There’s no slowing down for the avant art-rock octogenarian as he forgoes predictability to showcase the staggering breadth and depth of his songcraft

Japanese Breakfast: For Melancholy Brunettes (& Sad Women) review – a bit too tasteful

Michelle Zauner addresses big themes on her band’s fourth album, but her sharp writing isn’t best served by wistful arrangements

YHWH Nailgun: 45 Pounds review – a singular spin on funky NYC post-punk

Scene-stealing fills from drummer Sam Pickard send you toppling through the foursome’s thrilling, fresh debut

Bryan Ferry and Amelia Barratt: Loose Talk review – Roxy demos remade, remodelled as eerie duets

Veering from the standard heritage-artist playbook, Ferry pairs unearthed demos from across his career with cool narration from Barratt, to beautiful, unsettling effect

Post navigation

← Older posts
Newer posts →
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

Contact www.freakyparty.net   Terms of Use