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Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show

The newest song might date from 1992 but that matters little to fans of their fast and intricate heavy metal

Brandi Carlile review – country for the marginalised excels on the big stage

Elton John was a constant silent presence as versatile Carlile veered from crooner ballads to hot-rubber-and-leather vibes

Dua Lipa review – dance-pop icon keeps the energy hotter than hell

Amid exercise videos, confetti cannons and guest star Jamiroquai, Lipa maintains an old-school superstar steeliness as she works up a sweat in the summer heat

Loyle Carner: Hopefully! review – rap sweetheart faces family, fear and the feels

The Londoner’s trademark sentimental sweetness is balanced by a new unaffected singing style – his fourth album is his most impressive work yet

J Hus review – rapper touched by genius can’t quite channel his energy

After a cancelled arena tour, expectations are high for J Hus’s return – but for all his swagger and melody, he ends up falling short due to sound issues and a lack of vision

Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride

David Pountney’s striking staging of this timely tale of a Ukrainian warlord battling Russian power unsettles the stomach as much as it titillates the ear

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

Haim: I Quit review – the messiest breakup album of recent times, in every sense

(Polydor)The three LA sisters dwell on the bitter end of a relationship in tracks that range from replayable valley-girl rap to plodding country-pop

Pitbull review – like a children’s party, but with loads of booze

With a hedonistic seize-the-day message, the pop-rapper resembles a cult leader or motivational speaker – and his followers are willing to overlook the faults in his live show

Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous

On a kitschy 1970s chatshow set, the Sheffield band play hits from across their career – and fans welcome their just-released album tracks like old friends

Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures

The one-time TikTok dancer’s remarkably cohesive debut spans Jersey club to R&B, and defies an obsession with ‘lore’ to suggest that the best pop isn’t that deep

Witch: Sogolo review – Zamrock originators in joyously punchy form

After the band’s 2023 reunion and a revamp of members comes this imaginative and playful set showing 74-year-old Emmanuel ‘Jagari’ Chanda’s undiminished vocal power

Lionel Richie review – larger-than-life legend delivers a lesson in charm

The perfectly ’tached singer rolls out some raw and funky versions of his hits, from Hello to Brick House to All Night Long, with a roaring-along crowd

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  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • Martin Fröst: BACH album review – silkily eloquent clarinettist brings freshness and fun
  • Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style
  • Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever
  • Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity
  • Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Hallé/Shields/Adams: John Adams festival review – dynamism that could generate electricity
  • Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
  • The Railway Children review – Turnage reimagines classic story in a lively family opera
  • Alpha Maid: Is This a Queue review – Mica Levi collaborator pairs scuffed production with superb songwriting
  • Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman
  • Strauss, Dvořák and Glazunov album review – packs a dramatic punch
  • Florence + the Machine: Everybody Scream review – alt-rock survivor surveys her kingdom with swagger
  • Walton: Cello Concerto, Symphony No 1, Scapino album review – positively snaps, crackles and pops
  • Anna von Hausswolff: Iconoclasts review – exhilarating, euphoric goth songcraft
  • Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician
  • Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form
  • Harvest Rock 2025 review – the Strokes, Jelly Roll and the War on Drugs save Adelaide festival after a slippery start
  • Gillian Welch and David Rawlings review – perfectly paired talents at the peak of their powers
  • Dave: The Boy Who Played the Harp review – ​it’s clearer than ever what a stunningly skilled rapper he is

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