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Grace Ives: Girlfriend review – bedroom-pop auteur goes widescreen for a gorgeous sobriety epic

The New Yorker’s third album leaves behind her DIY origins to channel cult pop classics by Lorde and Sky Ferreira

Underscores: U review – ultra-imaginative auteur has pop’s most brilliant brain

Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

The Black Crowes: A Pound of Feathers review – pathos and profanity elevate peerless rock’n’roll pastiche

​With Keef-style riffs and full-blooded commitment to the bit, resurgent brothers Chris and Rich Robinson​ resurrect​ the rocker lifestyle of eras past

Golden Plains 2026 review – Basement Jaxx turn a regional farm into a surreal and heaving club

With standout sets from Cut Copy, Marlon Williams and Water From Your Eyes, the cult favourite Victorian music festival has become the hottest ticket in town

Echo and the Bunnymen review – Ian McCulloch leaves it to the crowd to sing these timelessly great songs

The frontman struggled to get through most of the band’s choruses but that left space for Will Sergeant’s glorious psychedelic shapes and a supportive sing along

Harry Styles review – Netflix concert is a communal love-in with some big pop moments

Recorded for the streaming giant, this performance wrestles songs from the star’s new album into more interesting shapes

Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was

Dodgy conspiracy theories are thankfully kept to one track, but the rest is not much better, lacking insight even when Morrissey returns to his specialist subjects

Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

Mitski review – pop meets performance art in a masterful spectacle

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow

10cc review – 70s legends reprise a dazzling string of pop classics

Fifty years since the band fractured with the departure of Godley and Creme, songs from Donna to I’m Not in Love are in prime condition on what is billed as ‘another bloody greatest hits tour’

Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally

The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words

David Byrne review – in life during wartime, this show will restore your faith in humanity

Byrne again reimagines the possibilities of the live gig, creating a vision of egalitarianism backed by elastic bass and polyrhythms

Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?

Allen isn’t in the first act of her own show, only coming on after 45 minutes of a string ensemble to stiffly deliver her acclaimed album in full

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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