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The Story of Swing review – once it gets going, the Proms get hopping

The pop music of the 30s and 40s is revived in lively style – once the bands are warmed up – with contributions from vocalists Elaine Delmar and Clare Teal

ORR/Gardiner review – dramatic energy but a Hollywood Bowl ending

John Eliot Gardiner’s conducting on Beethoven’s Fifth was too generalised, and pre-recorded bells made the finale to Berlioz’s Symphonie Fantastique sound over the top

Tête à Tête festival; BBC Proms review – from the supine to the sublime

Prone cellists and dodgy acoustics are part of the fun at Tête à Tête. Plus life-changing Bach at the Proms

BBCNOW/Otaka review – vivid Walton and authentic Elgar

BBC National Orchestra of Wales laureate Tadaaki Otaka leads a bombastic and feisty performance of lesser-known scores

BBCSSO/Runnicles review – MacMillan premiere and the raw power of Mahler

James MacMillan’s dense and complex Fourth Symphony was conducted with affection and dignity; Mahler’s Fifth felt like being locked into someone else’s nervous breakdown

BBCSSO/Runnicles review – sheer and impressive drama

Donald Runnicles and the BBC Scottish Symphony Orchestra brought precision and drama to Verdi’s Requiem

BBC Philharmonic/Mena review – a palpable sense of commitment

A Luke Bedford premiere had strong ideas but lacked coherence, while Bruckner’s Third Mass was measured and spacious

Aurora Orchestra/Collon review – memorable for all the right reasons

Playing an Anna Meredith premiere and Beethoven’s 40-minute Pastoral from memory brought a sense of spontaneity – the gamble certainly paid off

Prom 13: BBCSO/Mälkki/Josefowicz review – committed and astoundingly vivid

Luca Francesconi’s very effective violin concerto was played with tremendous commitment by Leila Josefowicz and the BBC Symphony Orchestra under Susanna Mälkki

Prom 10: Mahler Chamber Orchestra/Andsnes review – Beethoven with drama and drive

Bringing his four-year ‘Beethoven journey’ to London for a Proms mini-cycle, Leif Ove Andsnes delivered a detailed vision of the Third Concerto and Choral Fantasy

BBC Proms; Igor Levit review – fanfares and fireworks

There were firsts and feasts – and Haydn – at week one of the Proms. Plus, an astonishing recital by Igor Levit

Prom 9: Mahler Chamber Orchestra/Andsnes review – big, passionate Beethoven

Leif Ove Andsnes starts the final leg of his four-year ‘Beethoven journey’ with a startlingly fresh interpretation of the First and Fourth Piano Concertos, backed with instinctive intensity by the orchestra

Prom 5: BBC Phil/Currie/Storgårds review – compelling percussion playing

Colin Currie dashed across the stage between perhaps too many instruments in HK Gruber’s into the open … but it was an energising programme nonetheless

​Proms First Night review: off to a flying start

The BBC Symphony Orchestra and its chief conductor, Sakari Oramo, find a winning formula featuring Scandinavian giants Sibelius and Nielsen

Helen Grime: Night Songs — a finely textured, poetic debut

Grime’s highly assured debut draws on the poetry of Baudelaire, Eliot and others, writes Fiona Maddocks

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
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  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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