The pop music of the 30s and 40s is revived in lively style – once the bands are warmed up – with contributions from vocalists Elaine Delmar and Clare Teal
John Eliot Gardiner’s conducting on Beethoven’s Fifth was too generalised, and pre-recorded bells made the finale to Berlioz’s Symphonie Fantastique sound over the top
James MacMillan’s dense and complex Fourth Symphony was conducted with affection and dignity; Mahler’s Fifth felt like being locked into someone else’s nervous breakdown
Luca Francesconi’s very effective violin concerto was played with tremendous commitment by Leila Josefowicz and the BBC Symphony Orchestra under Susanna Mälkki
Bringing his four-year ‘Beethoven journey’ to London for a Proms mini-cycle, Leif Ove Andsnes delivered a detailed vision of the Third Concerto and Choral Fantasy
Leif Ove Andsnes starts the final leg of his four-year ‘Beethoven journey’ with a startlingly fresh interpretation of the First and Fourth Piano Concertos, backed with instinctive intensity by the orchestra
Colin Currie dashed across the stage between perhaps too many instruments in HK Gruber’s into the open … but it was an energising programme nonetheless