Prom 32: ASMF/Marriner/Bell review – trademark finesse and enthusiasm
Neville Marriner celebrated his 90th birthday with a typically subtle and vivacious account of Walton's score for Henry V, writes Tim Ashley
Prom 29: BBC Philharmonic/Noseda review – Benjamin Grosvenor lifts the roof off
Pianist Benjamin Grosvenor's ample programme brought together a one-time Proms favourite, a neglected Italian and an old French warhorse, writes George Hall
De Staat/Multi-Story Orchestra; BBC Proms 27, 19, 25 – review
Spirits soared to Andriessen’s Plato in Peckham – and John Tavener’s vision of eternity, writes Fiona Maddocks
Prom 27: BBCNOW/Wigglesworth review – Trusler’s tour de force
The violinist brought an thrilling, organic ebb and flow to William Mathias's Violin Concerto: he and BBCNOW are on tremendous form, writes Tim Ashley
Prom 23: BBCSSO/NYCoS/Runnicles review – clarity and momentum
The NYCoS brought vibrancy to Mozart's Requiem, and Donald Runnicles and the BBCSSO generated momentum and dancing colours in John McLeod and Beethoven, writes Erica Jeal
Prom 25: Tallis Scholars/Phillips review – sheer sonic beauty
The Tallis Scholars gave a sublime performance of two striking choral works by the late John Tavener, writes George Hall
Prom 19: RLPO/Petrenko – review
Two Strauss rarities were beautifully performed with relish and confidence, while Petrenko’s take on Elgar’s Second Symphony was masterful and virtuosic, writes George Hall
War Horse Prom review – equine puppet hero distracts from the show’s weaknesses
John Tams' melancholic folk songs are beautiful, but the music choice and stage show are confusing and problematic, writes John Lewis
Prom 21 review: John Wilson Orchestra/Kiss Me, Kate – uneasy Cole Porter semi-staging
If only the great John Wilson Orchestra had been given full rein with Cole Porter's music, instead of a tepid dramatisation, writes Michael Billington
Proms 16, 14, 15, 12; Moses und Aron review – the Borusan Istanbul Philharmonic make waves
Turkey's finest gave an uplifting Proms debut. And WNO triumphed in biblical style, writes Fiona Maddocks
Prom 13: CBeebies Prom – review
The first prom pitched at the under-fives keeps its young audience entertained with its mix of CBeebies favourites and rousing tunes, writes Charlotte Northedge
Prom 18: BBCPhil/Tharaud/Mena review – Birtwistle, Ravel and Mahler
Mena's Mahler was unindulgent but still gorgeous, writes Erica Jeal
Prom 17: Les Arts Florissants/Christie – familiar finesse, classy soloists
Rameau's vivid, emotionally immediate Grand Motets brought a flavour of his importance as a composer of sacred music to the anniversary celebrations, writes Tim Ashley
Prom 16: Borusan Istanbul Philharmonic/Goetzel – review
This was a classy, enthusiastic ensemble and Sascha Goetzel the consummate showman at this Middle East-inspired evening, writes Tim Ashley
Prom 14: BBCNOW/Fischer review – virtuosity pushed to the limits
Astonishing flautist Emmanuel Pahud performs in premiere of Simon Holt's concerto, Morpheus Wakes, writes Andrew Clements