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Drake: Honestly, Nevermind review – brand new moods, same old moans

The Canadian superstar’s new album is surprisingly full of house music, but his passive-aggressive complaints get dull

Kendrick Lamar: Mr Morale & the Big Steppers review – rap genius bares heart, soul and mind

After a five-year hiatus, the Pulitzer winner returns with an exhilarating hip-hop feast that ties personal pain to collective trauma – and lets no one off the hook

Kendrick Lamar: The Heart Part 5 review – a heartstopping call for uplifted humanity

The rapper’s flow is as charged and acute as ever as he lays out a manifesto of radical empathy

Digga D: Noughty By Nature review – utterly compelling

The demonised drill star’s third mixtape is savage and breathtaking. If only he knock the sexism on the head

Digga D: Noughty By Nature review – UK drill figurehead has a flow for the ages

Subject to controversial police-imposed restrictions on his lyricism, the London rapper uses the censorship to his benefit – and ambitiously broadens his style

Freddie Gibbs review – powerful raps that hurtle from the stage

The rapper’s banter with his DJ lightens the darkness in this charismatic and hard-hitting performance

ArrDee review – hard-partying rapper proves he’s an artist of substance

Brighton’s teenage megastar conducts the mosh pit with gusto but it’s his subtler songs that mark him out as a true talent

Machine Gun Kelly: Mainstream Sellout review – fun, fresh outta-the-00s punk-pop

A tabloid-baiting relationship with Megan Fox and heightened celebrity are influences on an entertaining but cliched album

ArrDee: Pier Pressure review – a boisterous debut from Brighton’s teenage rapper

The first mixtape from this savvy young drill artist is ready for the party

Stormzy review – victory lap for the big dog

Two years after he was due to tour his second album, the rapper makes the most of arena-sized spectacle – though arguably, he could carry the show without the special effects

Kojey Radical: Reason to Smile review – an era-defining Black British work

Hip-hop, neo-soul, jazz and rich storytelling work as one on the east London rapper’s long-awaited debut album

Ye: Donda 2 review – desultory soundtrack for a social media circus

Flashes of genius from the artist formerly known as Kanye West are lost amid unrefined production and tedious barbs at his estranged wife

Central Cee: 23 review – London rapper’s debut tells of an irresistible rise to fame

Unexpected musical ideas and a powerful flow demonstrate why 2021 brought not only chart success but three Brit nominations

Dr Dre, Snoop Dogg, Eminem, Kendrick Lamar and Mary J Blige’s half-time show – an all-timer

The supergroup of hip-hop and R&B legends delivered the most entertaining Super Bowl half-time show in years

Saba: Few Good Things review – rapper ponders a half full glass

While his previous album was a melancholic paean, this record sees the Chicago MC appreciate what he has

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  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship

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