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Parklife festival review – northern rave culture clearly in rude health

The in-demand Fred Again eclipses Aitch’s confident homecoming headline set, while the Prodigy chime with Parklife’s rave ethos

J Hus: Who Told You review – the song of the summer has arrived

With a jazzy guest spot from Drake, this ode to the joy of dancing shows how masterful each MC is at moving with a beat

Red Velvet review – a mesmerisingly perfect K-pop extravaganza

Yeri, Irene, Seulgi and Wendy shapeshift between funky pop confections and hip-hop experimentation in an omnipotent theatrical spectacle

McKinley Dixon: Beloved! Paradise! Jazz!? review – literary, urgent rap

This is shorter than the Virginian jazz-rapper’s sprawling breakout LP, but still full to bursting with images and invention

Monaleo: Where the Flowers Don’t Die review – whiplash-inducing rapper thrives on sheer force of personality

This unruly young Texan star throws some unexpected and slightly undercooked ballads on to her debut album, making it an uneven ride

IDK: F65 review – lush, sprawling soundscapes

The lyrics matter less than the music on the British-American rapper’s overlong but sumptuous jazz-inflected third album

Alfa Mist: Variables review – his own universe of genre-transcending music

Warm, subtle jazz rubs shoulders with hip-hop and R&B in an evocative album that hits the sweet spot between accessible and experimental

Avelino: God Save the Streets review – long-awaited debut sets the bar high

The London rapper shines on a powerful set of urban stories and mea culpas

De La Soul review – bittersweet triumph honours lost bandmate Trugoy’s legacy

Hip-hop star Posdnuos leads a celebration that doubles as an emotional wake for his friend – while guests from Yasiin Bey to Damon Albarn help generate maximum energy

Mo’Ju: Oro, Plata, Mata review – ambitious neo-soul takes on capitalism and catastrophe

The Filipino Wiradjuri rapper’s tightly written fourth album shows an artist entering the prime of their career

Jpegmafia x Danny Brown: Scaring the Hoes review – mind-melting maelstrom from rap’s outer limits

New York’s Jpegmafia and Detroit’s Danny Brown transmit from hip-hop’s hinterland, in a bacchanal of inspired noise and topical chat that’s the definition of ‘not for everybody’

Princess Nokia: i love you but this is goodbye review – a raw, quickfire breakup album

The New Yorker ranges from glossy melancholy to vicious rap in an uninhibited display of her chameleonic talent

Loyle Carner review – hip-hop with an open heart

From daddy issues to violent crime, the south London rapper’s thoughtful set is distinguished by its emotional candour and vulnerability

Snoop Dogg review – rap icon still dropping it like it’s hot

The veteran rapper may now be walking a fine line between parody and pantomime, but his California flow and copper-bottomed classics remain irresistible

Lizzo review – a euphoric display of true superstardom

Theatrical, emotional, hilarious, the full range of a multi-hyphenate talent is on show tonight – no wonder she has changed the face of pop

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  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship

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