This will never be a repertoire piece, but it is a unified work with some accomplished music by a hugely assured composer who, even at 20, wrote his own libretto and had his own sound, says Martin Kettle
A last-minute replacement for Alberich flew in from Vienna just in time for act two, saving the Ring Cycle's third – and so far patchiest – opera, writes Erica Jeal
This sprawling Ring cycle revival will make or break the Royal Opera's reputation and morale – and early evidence suggests the former, writes Erica Jeal